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515 Dining Chairs by Oswald Haerdtl for TON, 1960s, Set of 4

  • 515 Dining Chairs by Oswald Haerdtl for TON, 1960s, Set of 4 1
  • 515 Dining Chairs by Oswald Haerdtl for TON, 1960s, Set of 4 2
  • 515 Dining Chairs by Oswald Haerdtl for TON, 1960s, Set of 4 3
  • 515 Dining Chairs by Oswald Haerdtl for TON, 1960s, Set of 4 4
  • 515 Dining Chairs by Oswald Haerdtl for TON, 1960s, Set of 4 5
  • 515 Dining Chairs by Oswald Haerdtl for TON, 1960s, Set of 4 6
  • 515 Dining Chairs by Oswald Haerdtl for TON, 1960s, Set of 4 7
  • 515 Dining Chairs by Oswald Haerdtl for TON, 1960s, Set of 4 8
  • 515 Dining Chairs by Oswald Haerdtl for TON, 1960s, Set of 4 9
  • 515 Dining Chairs by Oswald Haerdtl for TON, 1960s, Set of 4 10
  • 515 Dining Chairs by Oswald Haerdtl for TON, 1960s, Set of 4 11
  • 515 Dining Chairs by Oswald Haerdtl for TON, 1960s, Set of 4 12
  • 515 Dining Chairs by Oswald Haerdtl for TON, 1960s, Set of 4 13
  • 515 Dining Chairs by Oswald Haerdtl for TON, 1960s, Set of 4 14
  • 515 Dining Chairs by Oswald Haerdtl for TON, 1960s, Set of 4 15
  • 515 Dining Chairs by Oswald Haerdtl for TON, 1960s, Set of 4 16

About This Piece

Vintage Design

Beechwood and bent plywood.

Vintage red upholstery, original with patina.

Modernist design.
* Please note that items made of Rosewood are subject to a special export process that may extend the delivery time an additional 2 to 4 weeks
Designer Oswald Haerdtl
Manufacturer TON
Design Period 1960 to 1969
Production Period 1960 to 1969
Country of Manufacture Czech Republic
Attribution Marks This piece has an attribution mark such as a manufacturer’s label, a certificate of authenticity, or a production mark
Style Vintage, Mid-Century
Detailed Condition Good — This vintage item remains fully functional, but it shows sign of age through scuffs, dings, faded finishes, minimal upholstery defects, or visible repairs.
Restoration and Damage Details Light wear consistent with age and use
Product Code JC-541524
Materials Beech, Bentwood, Plywood, Upholstery
Color Red, blonde
Width 42 cm 16.5 inch
Depth 53 cm 20.9 inch
Height 80 cm 31.5 inch
Seat Height 18.1 inch
Duties Notice Import duty is not included in the prices you see online. You may have to pay import duties upon receipt of your order.

Shipping & Delivery

Ships from Netherlands
Duties Notice Import duty is not included in the prices you see online. You may have to pay import duties upon receipt of your order.
Returns Returns accepted within 14 days of delivery, except for Made-to-order items

Delivery Options

Front Door Delivery:
(Included in Every Order)
  • A skilled driver will unload the item(s) from the delivery truck and bring it to your building’s doorstep. You will be responsible for further transport beyond that point. We recommend asking a family member or friend for an extra hand; alternatively, you may upgrade to In-Home Delivery (see below).
  • The delivery partner will email and/or call you at least one day in advance to arrange a delivery time.
  • A wooden crate may be used for intercontinental shipments for maximum protection.
  • Item will be left in its packaging after delivery.
  • A signature will be required upon delivery.
In-Home Delivery:
(For in-home delivery service, additional fees apply. Please get in touch)
  • A skilled driver or a team of two will bring your item(s) inside your home and place it in the immediate entryway. For unusually large or heavy items, we recommend asking a family member or friend for an extra hand, as we cannot send more than 2 drivers.
  • The delivery partner will email and/or call you one day in advance to arrange a delivery time.
  • A wooden crate may be used for intercontinental shipments for maximum protection.
  • Item will be left in its packaging after delivery.
  • A signature will be required upon delivery.

*Important Note

Please examine every order upon delivery. In the event that there are visible signs of damage or missing or incorrect pieces, please indicate the problem on the Delivery Note and contact us within 48 hours of delivery. A signed delivery receipt without notations of missing, damaged, or incorrect item(s) represents your acceptance of the complete order in perfect condition.

About the Designer

Oswald Haerdtl

One of the most respected designer-architects of the interwar and postwar period, Oswald Haerdtl was born in Vienna in 1899. He is best known for his early expressions of modernist design, especially those that contributed to Vienna's famous Kaffeehaus culture, as well as for his collaborations with iconic Austrian architect Josef Hoffmann.

Haerdtl trained as an architect under Oskar Strnad and Josef Frank, graduating in 1921 with the Eitelberger Prize for academic achievement from the University of Applied Arts Vienna. In 1922, Haerdtl took an assistant position with Hoffmann, who became his mentor and later his colleague as they collaborated on many different projects. Haerdtl notably worked with Hoffmann’s team at the Exposition Internationale des Art Décoratifs et Industriels Modernes in 1925. While in Paris, he took the opportunity to visit the studios and see the works of his favorite modernists, including Le Corbusier, Jean Lurçat, and André Lurçat, and Fernand Léger.

Returning to Vienna, Haerdtl set up studio at the Werkbundsiedlung in Vienna, a residential project lead by his former teacher Josef Frank and other well known architects, which was intended to be an exemplar of modern living. There, he produced his first solo projects, including the design of several residential and office buildings. His designs were chosen to represent Austria in the world fairs in Brussels in 1935 and in Paris in 1937. In 1935, he also accepted a professorship in architecture from his former teacher Oskar Strnad at his alma mater.

Although criticized for employing Jewish contractors to produce his architectural and design projects following the Anschluss of Austria to Nazi Germany in 1938, Haerdtl continued to work at the university. He avoided military conscription in 1940 after appeals were made on his behalf and he was declared “indispensable” to the university. Still, his studio suffered from the war, so he opened offices in Krakow and Wroclaw, where he designed hotels, offices, and camouflage for industrial equipment.

A Viennese institution, the Kaffeehaus found renewed popularity in the 1950s, Haerdtl found a great deal of work creating café interiors, as well as menus, vases, cutlery, glassware, and tableware. His café chairs were produced by Thonet, which, although also made from bentwood, exhibited a more modern aesthetic than Thonet’s original No.14 Chair. Waitstaff uniforms—deemed an as essential element of the cafés' interior decoration— were often designed by Haerdtl’s wife, Carmela. Haerdtl's famous café interiors include the Café Prükel (1939, completely reconstructed in 1954), Arabia (1950-57), and Hotel Bristol (1948-55).

Haerdtl died suddenly in August 1959. He has since been the subject of two retrospective exhibitions, in 1978 and in 2000, both in Vienna. He was the recipient of many prizes and honors including the Golden Merit Medal of the Republic of Austria (1934 and 1937), the Austrian State Prize for Architecture (1937), and the City of Vienna Prize for Architecture (1948).

About the Maker

TON

Contemporary furniture producer TON is the long-living Czech incarnation of the legendary Thonet company—the oldest surviving furniture manufacturer in the world—founded by German-Austrian cabinetmaker and entrepreneur Michael Thonet in the late 19th century. An acronym for “Továrna ohýbaného nábytku” (in Czech, “Factory for bentwood furniture”), TON nominally refers to the Bystřice pod Hostýnem-based factory that Thonet himself established in 1861.

Bystřice pod Hostýnem was chosen as the site for TON thanks to its abundance of skilled labor and beech wood, the crucial raw material for Thonet's signature steam-bent wood furniture. The factory quickly blossomed into the primary manufacturing base (out of, eventually, seven) for the greater Thonet. By 1912, the company there employed 2000 workers, who yielded, annually, a range both prolific and pioneering—about 445,000 total pieces of Thonet’s tables, storage pieces, and, most iconically, chairs.

Like all iteration of Thonet’s designs, TON’s bentwood forms are characterized by clean lines, reduced ornamentation, and an emphasis on functionalist principles. Specific standouts from this collection—so revered, actually, that TON still produces them today—include: Rocking Chair No. 1 (1860); No. 14 Café Chair (ca. 1859); Adolf Loos Café Museum Chair (1899); No. 209 Armchair (ca. 1900); No. 30 Armchair (ca. 1903, and a particular favorite of Le Corbusier); Otto Wagner No. 247 Postal Savings Bank Chair (1904); and Josef Hoffmann No. 811 (1925). 

World Wars I and II—and the attendant wide-ranging socio-political impacts—fractured the Thonet empire. In 1923, amid diminishing profits, Thonet was forced to merge with Austro-Hungarian furniture manufacturer Kohn-Mundus, forming Thonet-Mundus, who, among other things, purchased the license to produce the bent tubular steel designs of Bauhaus masters such as Marcel Breuer, Ludwig Mies van der Rohe, and Mart Stam. Amid the Nazi rise to power, the company waded through years of upheaval, undergoing a series of headquarter relocations (to Switzerland; to the US) and changes to its ownership structure, before splintering in the postwar period. In 1946, the factory in Bystřice pod Hostýnem became a national enterprise and in 1953 was officially named TON, to distinguish itself against surviving Thonet constitutents (e.g., Gebrüder Thonet Vienna GmbH ).

Active since it’s renaming, TON established itself as a design brand as part of the company’s restructuring at the end of the Cold War, when it became a state-owned enterprise. Using some of the factory’s original machines and molds—and collaborating with modern talents that span from Arik Levy to Alex Gufler and Lucie Koldová—today’s TON produces a range of furniture, tables, and accessories that marries the company’s time-honored methods with the principles and forms of contemporary design.

Since 2011, their portfolio has garnered heaps of international decoration, including the Red Dot Design Award (2011, for their plywood-molded Merano Armchair; 2016, for their -designed Split loungechair); the Good Design award (2011, for Merano; 2013, for their Thomas Feichtner-designed Tram chair and cantilevered Mojo armchair, designed by Michael Riabič); and the iF Design Award (2015, for their bent-plywood Merano Chair; 2017, for their Leaf Chair, designed by Italian designers E-ggs), among others.

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