After John Frederick Herring, The Hunting Stud, Oil Painting, Framed

Equine Masterpiece The Hunting Stud – In the Manner of John Frederick Herring Snr (1795–1865) English School, circa 1900 Oil on canvas, presented in a gilt frame Subject & Medium This late Victorian era oil on canvas, painted circa 1900, is executed in the manner of John Frederick Herring Snr’s renowned composition The Hunting Stud of 1845 (Tate Britain). The subject is the hunting stable — the heart of British country sporting life. A group of 4 hunters, 1 grey with 3 bay horses are standing within a timber-beamed interior, their coats brushed to a rich sheen while grooms tend to them with quiet diligence. One inspects a hoof, another adjusts tack, and a third steadies a bay’s bridle. Behind them, two huntsmen in scarlet coats and black riding hats confer before the day’s ride, adding aristocratic presence to the rustic scene. Over time, the painting’s surface has mellowed naturally, with subtle softening of colours through varnish and age, adding warmth and patina — the qualities collectors prize in authentic early 20th-century equestrian art. Composition & Technique The scene demonstrates careful attention to musculature, sheen of coat, and detailed tack, faithful to Herring’s celebrated stable interiors. Subtle light filters into the room, playing across equine forms and illuminating them against the rustic warmth of straw bedding and timber beams. The colour palette is rich and atmospheric: Chestnuts, bays, and dappled greys give depth to the horses. The crimson hunting jackets act as bold compositional anchors. Warm ochres, siennas, and umbers define straw and timbers. Soft cream highlights enliven manes, tails, and harness. Brushwork alternates between precise draughtsmanship for equine anatomy and softer strokes for background textures. Stylistically, the work demonstrates the enduring appeal of equestrian subjects well into the 20th century, when country houses and sporting lodges continued to prize such images as symbols of heritage, discipline, and tradition. About John Frederick Herring Snr (1795–1865) rose from coach driver to become one of Victorian England’s foremost equestrian painters. Known as the “artist coachman,” he was patronised by the Duke of Orleans and by Queen Victoria, who appointed him Animal Painter to HRH the Duchess of Kent. Though unsigned, this painting was executed in his manner by a skilled Edwardian hand, demonstrating how Herring’s influence carried into the next century and remained synonymous with sporting culture and aristocratic refinement. Unsigned The painting is unsigned, consistent with many English school period works executed in Herring’s style. Its high quality and stylistic fidelity underscore his ongoing influence. The Frame Presented in a richly ornamented, recently fitted Larson Juhl gilt frame with moulded detail and warm patina, protected with museum-quality AR70 glass. The frame enhances both decorative presence and period authenticity. Framed Dimensions 59 cm high × 80.5 cm wide × 4.5 cm deep Provenance Private equine collection, Midlands (Shire County), UK with notable Middle Shire auction house label verso Curated by Cheshire Antiques Consultant LTD Exhibited at The Famous Lord Hill Museum Why Collectors Will Appreciate It A timeless equestrian subject — hunting horses, grooms, and huntsmen in an atmospheric stable interior. Painted in the manner of Herring’s celebrated 1845 composition (The Hunting Stud, Tate Britain). Rich, warm palette with soft golden light and authentic patina. Presented in an elegant later giltwood frame ready to display. A perfect addition for collectors of sporting art, or as a statement piece in a country house, lodge, or equestrian home.