Area Curvea Table Lamp by Mario Bellini for Artemide, Italy, 1970s

World-renowned architect and designer Mario Bellini has been an influential figure in Italian design since the 1960s. His prolific body of work spans architecture, urban planning, and furniture and industrial design.

Bellini was born in Milan in 1935. He graduated with a degree in architecture from Milan’s Polytechnic University in 1959.  Shortly after, he became the design director at La Rinascente, a popular chain of Italian department stores. In 1963, he was hired by tech-firm Olivetti as their chief design consultant. In the same year, he established the architectural and design firm Studio Bellini in Milan with business partner Marco Romano.

Although Bellini’s designs were less iconoclastic than his contemporary postmodern designers, they were no less innovative and are characterized by original, organic, technically complex forms. Iconic designs include the Amanta Chair (1966) and Le Bambole Sofa (1972) both for B&B Italia; the Kar-a-Sutra van (1972) for Citroën, which was exhibited at Italy: The New Domestic Landscape at the New York Museum of Modern Art in 1972; the Divisumma 18 Electronic Calculator (1973) for Olivetti; the 412 Cab Chair (1976-7) and Victoria Series (1982) for Cassina; and the Bellini Chair (1998) for Heller, which won a Compasso d’Oro in 2001. Bellini has also designed for major international companies such as Artemide, Brionvega, Fiat, Flos, Pirelli, Renault, Rosenthal, Tecno, Vitra, and Yamaha.

From the 1980s, Bellini dedicated himself almost entirely to architecture. His architectural feats include the Villa Erba Exhibition and Convention Centre in Cernobbio, Como (1986-1990); the Tokyo Design Centre (1988-1992); the Natuzzi America Headquarters in North Carolina (1996-1998); the National Gallery of Victoria in Melbourne (1996-2003); the Deutsche Bank Headquarters in Frankfurt (2006-11); the City History Museum of Bologna (2003-12); the Department of Islamic Art at the Louvre in Paris (2005-12); and the new Milan Convention Centre (2008-12), which is the largest in Europe. The prolific architect has many Italian projects currently underway or just completed including the refurbishment of terminal three at Roma-Fiumicino Airport (2014-2017), the Erzelli Science and Technology Park in Genoa, and the new Antiquarium Museum in Rome (2015-2017). At the time of writing, Bellini has various projects that are still at the design stage including the ‘Eco-City’ of Zhenjiang in China (2013-2018) and a large residential, cultural, and sports complex in Qatar (2014-2022).

From 1985 until 1991, Bellini edited the influential architectural and design magazine, Domus. In 1987, the New York Museum of Modern Art dedicated its first retrospective to the Italian master, honoring his life’s work and committing twenty-five pieces to its permanent collection. As well as being the focus of two more exhibitions, Bellini also curated countless art, design, and architecture exhibitions both in Italy and abroad. The number of accolades awarded to the designer-architect is almost endless. To date, he has received eight Compasso d’Oro awards, the Medaglia d’Oro (2004)—which recognizes Bellini’s contribution to design and architecture around the world, the Ambrogino d’Oro for civic merit (2011), and many many others.

Today, Bellini leads seminars and workshops at universities and academic institutions around the world.

* Images courtesy of Mario Bellini Architects

Legendary Italian lighting manufacturer Artemide was founded in the Milan area in 1959 by engineer-designer Ernesto Gismondi (born in San Remo, 1931) and designer Sergio Mazza (born in Milan, 1931). Notably, the latter designed the company’s first successful product, the Alfa Lamp, a year prior to Artemide’s launch. Both founders went on to contribute designs to Artemide’s ever-evolving lines over the next several decades, alongside spearheading the company’s mission to develop distinctive, architecturally-driven lamps, pendants, and other fixtures in collaboration with major design talents from around the world.

Highlights from Artemide’s vast catalogue include Italian designer Vico Magistretti’s space-age Eclisse Lamp (1967) and German-Italian designer Richard Sapper’s minimal, halogen-lit Tizio Desk Lamp (1972), which has become one of the most popular workspace accessories ever produced. The 1980s saw the launch of the Tolomeo Lamp (1987), designed by Italians Michele De Lucchi and Giancarlo Fassina, which quickly became an international symbol of the “Made in Italy” style that dominated design tastes at the end of the last century. Today, Artemide continues to commission high-tech, high-concept works—increasingly with a focus on sustainability—from notable international designers, such as Herzog & De Meuron, Naoto Fukasawa, Karim Rashid, and Zaha Hadid, among others. Through the decades, many of Artemide’s lighting designs have been awarded the prestigious Compasso d’Oro, with the company itself receiving a “Career Achievement” award in 1995

For more than 50 years, Artemide’s approach has set the pace for design innovation with well-researched products that often end up in the pages of design history books. Numerous pieces have been acquisitioned into museum collections around the world, from New York’s Museum of Modern Art and Metropolitan Museum of Art, to the Victoria & Albert Museum in London, Museo Nazionale della Scienza e della Tecnica in Milan, Galleria Nazionale d’Arte Moderna in Rome, and the Centre Pompidou in Paris.