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Art Deco Lounge Chair by Jindřich Halabala for UP Závody, 1930s

  • Art Deco Lounge Chair by Jindřich Halabala for UP Závody, 1930s 1
  • Art Deco Lounge Chair by Jindřich Halabala for UP Závody, 1930s 2
  • Art Deco Lounge Chair by Jindřich Halabala for UP Závody, 1930s 3
  • Art Deco Lounge Chair by Jindřich Halabala for UP Závody, 1930s 4
  • Art Deco Lounge Chair by Jindřich Halabala for UP Závody, 1930s 5
  • Art Deco Lounge Chair by Jindřich Halabala for UP Závody, 1930s 6

About This Piece

Vintage Design

* Please note that items made of Rosewood are subject to a special export process that may extend the delivery time an additional 2 to 4 weeks
Creator Jindřich Halabala
Manufacturer UP Závody
Design Period 1920 to 1949
Year
Production Period 1930 to 1939
Identifying Marks This piece has been attributed based on archival documentation, such as vintage catalogs, designer records, or other literature sources
Style Art Deco, Vintage, Design Classics
Detailed Condition Good — This vintage item remains fully functional, but it shows sign of age through scuffs, dings, faded finishes, minimal upholstery defects, or visible repairs.
Restoration and Damage Details Light wear consistent with age and use, Reupholstered
Product Code YZD-625570
Materials Beech, Textile
Color Brown
Width 66 cm 26.0 inch
Depth 86 cm 33.9 inch
Height 82 cm 32.3 inch
Seat Height 16.9 inch
Duties Notice Import duty is not included in the prices you see online. You may have to pay import duties upon receipt of your order.

Shipping & Delivery

Ships from Germany
Duties Notice Import duty is not included in the prices you see online. You may have to pay import duties upon receipt of your order.
Returns Returns accepted within 14 days of delivery, except for Made-to-order items

Delivery Options

Front Door Delivery:
(Included in Every Order)
  • A skilled driver will unload the item(s) from the delivery truck and bring it to your building’s doorstep. You will be responsible for further transport beyond that point. We recommend asking a family member or friend for an extra hand; alternatively, you may upgrade to In-Home Delivery (see below).
  • The delivery partner will email and/or call you at least one day in advance to arrange a delivery time.
  • A wooden crate may be used for intercontinental shipments for maximum protection.
  • Item will be left in its packaging after delivery.
  • A signature will be required upon delivery.
In-Home Delivery:
(For in-home delivery service, additional fees apply. Please get in touch)
  • A skilled driver or a team of two will bring your item(s) inside your home and place it in the immediate entryway. For unusually large or heavy items, we recommend asking a family member or friend for an extra hand, as we cannot send more than 2 drivers.
  • The delivery partner will email and/or call you one day in advance to arrange a delivery time.
  • A wooden crate may be used for intercontinental shipments for maximum protection.
  • Item will be left in its packaging after delivery.
  • A signature will be required upon delivery.

*Important Note

Please examine every order upon delivery. In the event that there are visible signs of damage or missing or incorrect pieces, please indicate the problem on the Delivery Note and contact us within 48 hours of delivery. A signed delivery receipt without notations of missing, damaged, or incorrect item(s) represents your acceptance of the complete order in perfect condition.

About the Creator

Jindřich Halabala

Czech industrial designer, writer, and educator Jindřich Halabala was a significant proponent of modernist, industrially manufactured furniture in Czechoslovakia and had a tremendous influence on the interior design of many interwar and postwar Czech homes.

Born in 1903 in Koryčany, Halabala spent his formative years training as a cabinetmaker in his father’s joinery workshop before entering the state-owned woodworking school in Valašské Meziříčí in 1920. He completed his practical studies with woodworking company Associated Arts & Crafts Enterprises, known as UP (Spojené Uměleckoprůmyslové Závody), in Brno. Halabala subsequently studied at the Academy of Applied Arts in Prague under Czech modernist architect-designer Pavel Janák (1881-1956). After graduating in 1926, Halabala worked briefly at the studio of Bohumil Hübschmann in Prague, until he was hired by UP. Halabala quickly became the firm’s development manager, responsible for product promotion and sales strategy—a position he maintained until 1946. Believing that furniture should be fully functional, modular, mobile, and widely affordable, Halabala advocated for a new mass-market approach to furnishing, ultimately pioneering industrial furniture manufacturing in Czechoslovakia.

Halabala’s designs include chairs, tables, sideboards, drawers, flower stands, couches, lamps, and more, with an aesthetic that drew from Czech Cubism, Art Déco, and classic European mid-century modernism. During the 1930s, he developed the modular series H and E, as well as various types of wooden and tubular steel pieces inspired by Bauhaus designers Mart Stam (1899-1986) and Marcel Breuer (1902-1981). These cantilevered designs, which were produced in UP's Hodonín branch, are highly sought-after today on the vintage market.

Other Halabala designs include the H-269 Lounge Chair (early 1930s)—arguably the most well-known Czech design, instantly recognizable for its exaggerated, curved armrests; the spider-like H-370 Coffee Table (1930s); and the adjustable H-70 Lounge Chair (1930s), to name a few. Like his Scandinavian contemporaries Alvar Aalto (1898-1976) and Bruno Mathsson (1907-1988), Halabala utilized bentwood in most of his chair designs.

Between 1951 and 1954, Halabala was an external lecturer at the Faculty of Forestry & Timber Engineering at VSPD in Kosice, and in 1954, he was appointed professor at the University of Forestry & Wood in Zvolen. He was also a prolific writer, routinely publishing articles in journals as well as the general press. Notably, Halabala was the chairman of the Association of Furniture Manufacturers of Czechoslovakia.

Halabala retired in 1970 and passed away in 1978 in Brno. His designs can be found in the collections of the Moravská Gallery in Brno and the Museum of Modern Art in Olomouc.

About the Maker

UP Závody

UP Závody—an acronym for Czech furniture manufacturer Spojené uměleckoprůmyslové závody (or, Associated Arts & Crafts Enterprises, in English)—was founded in Brno in 1920, following a merger of enterprises started by Jan Vaněk and Karel Slavíček. Initially comprising woodworkers who chiefly produced cabinetry, the company broadened its offering in the late 1920s to include an entire range of home furnishings, following the directive of the firm’s fresh-faced and precocious development director, Jindřich Halabala, who led the company’s product promotion and sales strategy until 1946.

Believing that furniture should be fully functional, modular, mobile, and widely affordable, Halabala—who also designed for Thonet—advocated for a new mass-market approach to Czech furnishing. To that end, he designed and produced an UP Závody catalogue that included chairs , tables , sideboards , dressers , couches , lamps , and more, all influenced by the aesthetics of Czech Cubism, Art Déco, and European modernism. During the 1930s, he developed the H and E modular series, as well as various types of wooden and tubular steel pieces inspired by Bauhaus designers Mart Stam (1899-1986) and Marcel Breuer (1902-1981). These cantilevered designs, which were fabricated in UP's Hodonín branch, are highly sought-after today on the vintage market.

On the heels of Halabala’s success, by 1937, UP had grown into Europe’s largest furniture manufacturer—with a reputation synonymous with good taste and quality. The company’s clout continued to widen internationally, even with the onset of the Second World War. After the war, however, UP was nationalized, which forced the company to focus more on quantity than quality. Although UP remained active throughout the latter half of the 20th century, this dilution of its foundational commitment to serial designs of the highest grade ensured the company’s fade from design relevance—a wither exemplified by the lack of late-century UP work on the vintage market.

In 1992, UP merged with fellow Czech furniture manufacturer Tusculum Rousínov to become Tusculum a.s., which, in the early oughts, became absorbed by Jitona, currently one of the five largest suppliers of veneered furniture for Ikea Europe.

 

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