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B251 Lounge Chair by René Coquery for Thonet, 1930s

  • B251 Lounge Chair by René Coquery for Thonet, 1930s 1
  • B251 Lounge Chair by René Coquery for Thonet, 1930s 2
  • B251 Lounge Chair by René Coquery for Thonet, 1930s 3
  • B251 Lounge Chair by René Coquery for Thonet, 1930s 4
  • B251 Lounge Chair by René Coquery for Thonet, 1930s 5
  • B251 Lounge Chair by René Coquery for Thonet, 1930s 6
  • B251 Lounge Chair by René Coquery for Thonet, 1930s 7
  • B251 Lounge Chair by René Coquery for Thonet, 1930s 8
  • B251 Lounge Chair by René Coquery for Thonet, 1930s 9

About This Piece

Vintage Design

This rare, well-documented lounge chair was designed by the French designer René Coquery and produced by Thonet in 1929-1930. The tilted frame is made of bent, welded and chromed tubular steel. The very comfortable deep sprung-upholstered seat and backrest are covered in the original stone grey fabric.

The progressiveness of Coquery's design has been documented by Derek Ostergard in his leading publication on bentwood and metal furniture between 1850 and 1946: ''The opulent cushions of this design recalled traditional concepts of comfort and challenged contemporary prejudices that tubular steel was cold to the touch, antiseptic, and uncomfortable. Coquery reduced much of the impression of heaviness of these cushions by streamlining their mass. As a result, this chair, with its backward cant, has a sweeping grace that other heavily upholstered chairs of the period do not have.''

Also published in Ostergard's book is an archival image of the Thonet Paris catalogue, showing the armchair in an office and library designed by Emile Guillot. In this room, the chair was combined with other tubular steel furniture designs by Charlotte Perriand and André Lurçat.
The chair is part of the permanent collection of the Stedelijk Museum in Amsterdam.

Provenance: Mr. R.A. Hoogland, a medical practitioner in Utrecht, the Netherlands. Gerrit Rietveld was a friend of Hoogland and offered him advice regarding the furnishment of his family home and medical practice, including a preference for Thonet's tubular steel designs such as Mies van der Rohe's MR 534 chair and this Coquery armchair.

Literature references:
The Furniture collection Stedelijk Museum Amsterdam: 1850-2000 from Michel Thonet to Marcel Wanders, Delfini, pg. 120
Bentwood and Metal Furniture 1850-1946, Ostergard, pg. 289-90.
* Please note that items made of Rosewood are subject to a special export process that may extend the delivery time an additional 2 to 4 weeks
Designer René Coquery
Manufacturer Thonet
Design Period 1920 to 1949
Production Period 1930 to 1939
Country of Manufacture France
Identifying Marks This piece has been attributed based on archival documentation, such as vintage catalogs, designer records, or other literature sources
Style Bauhaus, Art Deco, Modernist
Detailed Condition Good — This vintage item remains fully functional, but it shows sign of age through scuffs, dings, faded finishes, minimal upholstery defects, or visible repairs.
Restoration and Damage Details Patina consistent with age and use, Light wear consistent with age and use, Minor wear on fabric
Product Code FMT-609276
Materials Steel, Chrome Plating, Metal, Fabric, Upholstery
Color Silver, grey
Width 65 cm 25.6 inch
Depth 92 cm 36.2 inch
Height 82 cm 32.3 inch
Seat Height 16.7 inch
Weight Range Standard — Between 40kg and 80kg
Duties Notice Import duty is not included in the prices you see online. You may have to pay import duties upon receipt of your order.

Shipping & Delivery

Ships from Netherlands
Duties Notice Import duty is not included in the prices you see online. You may have to pay import duties upon receipt of your order.
Returns Returns accepted within 14 days of delivery, except for Made-to-order items

Delivery Options

Front Door Delivery:
(Included in Every Order)
  • A skilled driver will unload the item(s) from the delivery truck and bring it to your building’s doorstep. You will be responsible for further transport beyond that point. We recommend asking a family member or friend for an extra hand; alternatively, you may upgrade to In-Home Delivery (see below).
  • The delivery partner will email and/or call you at least one day in advance to arrange a delivery time.
  • A wooden crate may be used for intercontinental shipments for maximum protection.
  • Item will be left in its packaging after delivery.
  • A signature will be required upon delivery.
In-Home Delivery:
(For in-home delivery service, additional fees apply. Please get in touch)
  • A skilled driver or a team of two will bring your item(s) inside your home and place it in the immediate entryway. For unusually large or heavy items, we recommend asking a family member or friend for an extra hand, as we cannot send more than 2 drivers.
  • The delivery partner will email and/or call you one day in advance to arrange a delivery time.
  • A wooden crate may be used for intercontinental shipments for maximum protection.
  • Item will be left in its packaging after delivery.
  • A signature will be required upon delivery.

*Important Note

Please examine every order upon delivery. In the event that there are visible signs of damage or missing or incorrect pieces, please indicate the problem on the Delivery Note and contact us within 48 hours of delivery. A signed delivery receipt without notations of missing, damaged, or incorrect item(s) represents your acceptance of the complete order in perfect condition.

About the Maker

Thonet

Thonet—the oldest surviving furniture company in the world—began its long life in 1819, when cabinetmaker Michael Thonet (1796-1871) established a furniture workshop in Boppard, Germany. A proponent of the Biedermeier style, he specialized in chairs, tables, and storage pieces characterized by clean lines, reduced ornamentation, and an emphasis on functionalist principles. By the 1830s, Thonet’s experiments in laminated and steam-bent wood furniture, like his famous Boppard Chair (1836), brought international acclaim. Thonet’s designs achieved a combination of lightness, durability, and comfort unknown in European furniture at the time.

A great fan of his work, Prince Metternich of Austria invited Thonet to present his designs to the Viennese court in 1842. Finding so much support there, Thonet opened a new company in Vienna in 1849. In 1853, he transferred his company to his sons, and Gebrüder Thonet was established.

Through the second half of the 19th century, Gebrüder Thonet designs grew increasingly popular with the cultural vanguard, especially among progressive design thinkers and tastemakers. One design in particular, the No. 14 Café Chair (ca. 1859), led the way to international success: the chair’s innovative bending technique was well suited to industrial production, and its rationalized, easily assembled structure allowed for efficient packing and shipping. In 1850, Anna Daum famously outfitted her fashionable Viennese café with No. 14 Chairs, and by the 1870s, Gebrüder Thonet had sales offices across Europe and the US. To date, more than 50 million No. 14 Chairs have been sold worldwide–not counting the untold pirated copies.

Iconic pieces from the traditional Gebrüder Thonet collection include Rocking Chair No. 1 (1860), No. 14 Café Chair (ca. 1859), Adolf Loos’s Café Museum Chair (1899), No. 209 Armchair (ca. 1900), Otto Wagner’s No. 247 Postal Savings Bank Chair (1904), and Josef Hoffmann’s No. 811 (1925). In the early years of the 20th century, Gebrüder Thonet also began producing designs in bent tubular steel by Bauhaus masters like Marcel Breuer, Ludwig Mies van der Rohe, and Mart Stam.

In the aftermath of World War II, Thonet lost all of its production facilities in Eastern Europe, and the sales office at Vienna’s Stephansplatz had been destroyed. Between 1945 and 1953, Georg Thonet, the great-grandson of company founder Michael Thonet, led the rebuilding. Economic success returned quickly. In the ensuing decades, the company commissioned designs from many outstanding designers, such as Verner Panton, Pierre Paulin, Norman Foster, James Irvine, Piero Lissoni, and Stefan Diez. Classic Thonet pieces can be found in museum collections around the world, including the Museum of Modern Art in New York, the Centre Pompidou and Musée d'Orsay in Paris, the Vitra Design Museum in Weil am Rhein, the Pinakothek der Moderne in Munich, the Austrian Museum of Applied Arts in Vienna, and the British Museum and the Victoria & Albert Museum in London.

In 1976 Thonet was divided into two separate German and Austrian companies, which remain independent of each other. Today, Thonet GmbH is headquartered in Frankenberg, Germany and continues to manufacture the original, bentwood and tubular steel designs alongside new pieces by contemporary, international architects and designers. Originally opened in 1861 by Thonet himself, the furniture factory TON (Továrna Ohýbaného Nábytku), which is located in what is known today as the Czech Republic, continues to manufacture Thonet designs. 

* All images courtesy of Thonet.de

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