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Coat Rack by Carl Auböck, 1960s

  • Coat Rack by Carl Auböck, 1960s 1
  • Coat Rack by Carl Auböck, 1960s 2
  • Coat Rack by Carl Auböck, 1960s 3
  • Coat Rack by Carl Auböck, 1960s 4
  • Coat Rack by Carl Auböck, 1960s 5
  • Coat Rack by Carl Auböck, 1960s 6
  • Coat Rack by Carl Auböck, 1960s 7
  • Coat Rack by Carl Auböck, 1960s 8
  • Coat Rack by Carl Auböck, 1960s 9
  • Coat Rack by Carl Auböck, 1960s 10

About This Piece

Vintage Design

5 solid brass hooks with patina, size : small hook H 5.5 cm, large hook H 9 cm.
* Please note that items made of Rosewood are subject to a special export process that may extend the delivery time an additional 2 to 4 weeks
Creator Carl Auböck
Manufacturer Werkstätte Carl Auböck
Design Period 1960 to 1969
Production Period 1960 to 1969
Country of Manufacture Austria
Identifying Marks This piece has been attributed based on archival documentation, such as vintage catalogs, designer records, or other literature sources
Style Mid-Century, Vintage
Detailed Condition Very Good — This vintage item has no defects, but it may show slight traces of use.
Restoration and Damage Details Light wear consistent with age and use
Product Code ZWH-764136
Materials Wood, Brass
Color Brown, gold
Width 142 cm 55.9 inch
Height 116 cm 45.7 inch
Duties Notice Import duty is not included in the prices you see online. You may have to pay import duties upon receipt of your order.

Shipping & Delivery

Ships from Austria
Duties Notice Import duty is not included in the prices you see online. You may have to pay import duties upon receipt of your order.
Returns Returns accepted within 14 days of delivery, except for Made-to-order items

Delivery Options

Front Door Delivery:
(Included in Every Order)
  • A skilled driver will unload the item(s) from the delivery truck and bring it to your building’s doorstep. You will be responsible for further transport beyond that point. We recommend asking a family member or friend for an extra hand; alternatively, you may upgrade to In-Home Delivery (see below).
  • The delivery partner will email and/or call you at least one day in advance to arrange a delivery time.
  • A wooden crate may be used for intercontinental shipments for maximum protection.
  • Item will be left in its packaging after delivery.
  • A signature will be required upon delivery.
In-Home Delivery:
(For in-home delivery service, additional fees apply. Please get in touch)
  • A skilled driver or a team of two will bring your item(s) inside your home and place it in the immediate entryway. For unusually large or heavy items, we recommend asking a family member or friend for an extra hand, as we cannot send more than 2 drivers.
  • The delivery partner will email and/or call you one day in advance to arrange a delivery time.
  • A wooden crate may be used for intercontinental shipments for maximum protection.
  • Item will be left in its packaging after delivery.
  • A signature will be required upon delivery.

*Important Note

Please examine every order upon delivery. In the event that there are visible signs of damage or missing or incorrect pieces, please indicate the problem on the Delivery Note and contact us within 48 hours of delivery. A signed delivery receipt without notations of missing, damaged, or incorrect item(s) represents your acceptance of the complete order in perfect condition.

About the Maker

Werkstätte Carl Auböck

The Werkstätte Carl Auböck—dating back to four generations of Auböcks—was originally founded as a metal workshop in 1912 by Karl Henirch Auböck (1872-1925). It was well known for producing ‘Vienna Bronzes’—miniature bronze figurines and statuettes that were very popular in the early 20th century, as well as for its signature modernist accessories in the mid-century period.

Carl Auböck II (1900-1957) was an Austrian designer who apprenticed in bronze smithing and engraving at his father’s workshop in the early 1900s. He then moved on to fine art, studying painting under the Swiss expressionist painter-designer Johannes Itten at the Bauhaus school in Weimar, Germany (graduating in 1921). Carl married sculptor Mara Utschkunova soon after, and their son Carl Auböck III (1924-1993) was born a year later. The young father took on another role in 1926 when he inherited the family business. He applied the exuberant and glamorous Art Deco style to his bronze sculptures before taking a more modern approach, introducing brass into the Auböck catalogue. He continued to paint, developing an abstract style that was so well-received by critics and clients, that Carl Auböck II is remembered as much for his contribution to the fine arts as to the decorative arts.

His son Carl III, on the other hand, was fascinated by industrial design. In the 1950s, he studied architecture in the US where he met and befriended modernist design luminaries such as Charles and Ray Eames, Benjamin Thompson, George Nelson, Herbert Bayer, and Walter Gropius. Returning to Vienna, Carl III filled his father in on the movement that was revolutionizing the design industry. The pair worked well together, creating an array of slightly unconventional yet highly functional art objects, including paperweights, ashtrays, corkscrews, bottle stoppers, floor lamps, coat racks, and shoe horns. Venturing beyond the Vienna Bronzes that were hallmarks of his father’s style, Carl II painted and polishing the brass in his sculptures, achieving a contrast and character unlike other contemporary bronze works, including the Optimist/Pessimist and Man with Cane figurines (both 1950s).

Carl II passed away in 1957, leaving the family workshop to son Carl III, who succeeded in bringing the business to the international stage. He collaborated with luxury brands Hermès and Pierre Cardin, the fruits of which were subsequently sold in department stores and international retailers such as Tiffany & Co., Saks Fifth Avenue, and Bloomingdales in New York; Ginza Shiseido in Tokyo; Harrods in London; and Christofle in Paris. Today the company is run by Carl Auböck IV and his wife Justine. It is located in the original Viennese townhouse where it continues to produce both classic and contemporary design.

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