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Coffee Table by Wim Rietveld for Auping, 1950s

  • Coffee Table by Wim Rietveld for Auping, 1950s 1
  • Coffee Table by Wim Rietveld for Auping, 1950s 2
  • Coffee Table by Wim Rietveld for Auping, 1950s 3
  • Coffee Table by Wim Rietveld for Auping, 1950s 4
  • Coffee Table by Wim Rietveld for Auping, 1950s 5
  • Coffee Table by Wim Rietveld for Auping, 1950s 6
  • Coffee Table by Wim Rietveld for Auping, 1950s 7
  • Coffee Table by Wim Rietveld for Auping, 1950s 8

About This Piece

Vintage Design

Beautiful tubular steel frame minimalistic Dutch design side table or coffee table manufactured by Auping circa 1950 and designed by Wim Rietveld. Table top in very good condition; the sticker tag is only partly visible.
* Please note that items made of Rosewood are subject to a special export process that may extend the delivery time an additional 2 to 4 weeks
Creator Wim Rietveld
Manufacturer Auping
Design Period 1950 to 1959
Year
Production Period 1950 to 1959
Country of Manufacture Netherlands
Identifying Marks This piece has an attribution mark
Style Mid-Century, Industrial
Detailed Condition Good — This vintage item remains fully functional, but it shows sign of age through scuffs, dings, faded finishes, minimal upholstery defects, or visible repairs.
Restoration and Damage Details Light wear consistent with age and use
Product Code UQI-553407
Materials Teak, Tubular Steel
Color Brown, silver
Height 61 cm 24.0 inch
Diameter 28.0 inch
Duties Notice Import duty is not included in the prices you see online. You may have to pay import duties upon receipt of your order.

Shipping & Delivery

Ships from Netherlands
Duties Notice Import duty is not included in the prices you see online. You may have to pay import duties upon receipt of your order.
Returns Returns accepted within 14 days of delivery, except for Made-to-order items

Delivery Options

Front Door Delivery:
(Included in Every Order)
  • A skilled driver will unload the item(s) from the delivery truck and bring it to your building’s doorstep. You will be responsible for further transport beyond that point. We recommend asking a family member or friend for an extra hand; alternatively, you may upgrade to In-Home Delivery (see below).
  • The delivery partner will email and/or call you at least one day in advance to arrange a delivery time.
  • A wooden crate may be used for intercontinental shipments for maximum protection.
  • Item will be left in its packaging after delivery.
  • A signature will be required upon delivery.
In-Home Delivery:
(For in-home delivery service, additional fees apply. Please get in touch)
  • A skilled driver or a team of two will bring your item(s) inside your home and place it in the immediate entryway. For unusually large or heavy items, we recommend asking a family member or friend for an extra hand, as we cannot send more than 2 drivers.
  • The delivery partner will email and/or call you one day in advance to arrange a delivery time.
  • A wooden crate may be used for intercontinental shipments for maximum protection.
  • Item will be left in its packaging after delivery.
  • A signature will be required upon delivery.

*Important Note

Please examine every order upon delivery. In the event that there are visible signs of damage or missing or incorrect pieces, please indicate the problem on the Delivery Note and contact us within 48 hours of delivery. A signed delivery receipt without notations of missing, damaged, or incorrect item(s) represents your acceptance of the complete order in perfect condition.

About the Creator

Wim Rietveld

Youngest son of legendary Dutch architect-designer Gerrit Rietveld, Wim Rietveld was born in Utrecht in 1924. Though he initially apprenticed in a furniture factory in Utrecht, by 1950 he had enrolled at the Royal Academy of Art in The Hague to study design while also working in his father’s firm. Soon after, designer-entrepreneur Willem Hendrik Gispen took an interest in his work and invited him to produce designs for his company.

By 1953, Rietveld was head of design at Gispen, where he developed the award-winning Furniture for a Simple Interior collection, which included the iconic 1407 Chair (1953/54). Designed in collaboration with Dutch designer André Cordemeyer, the 1407 received the gold medal at the X Triennale di Milano in 1954 and achieved great popularity in the Netherlands for both domestic and office interiors well into the 1960s. Additional standout designs by Rietveld for Gispen include the Model 116 Chair (1953), Panama Lamp (1953), Model 663 Storage System (1954), and Mondial Chair (1958)—which was created for the Dutch Pavilion at the World Expo in Brussels in 1958.

In 1958, Rietveld left the Gispen and moved to Ahrend de Cirkel, where he began a fruitful collaboration with leading Dutch designer Friso Kramer. Together they produced a number of now-iconic designs, including the Results Chair (1958) and Reply Drafting Table (1958), the latter of which received the prestigious Signe d'Or prize in Brussels in 1963. Rietveld’s own Pyramid Tables and Chairs (1960) for Ahrend De Cirkel were also highly successful and remain sought-after on the vintage market today.

Famously, Rietveld defined his design ethos as “well shaped, solid, practical, and cheap.” This rationalist approach was in line with the needs of postwar Holland. In those years, Rietveld was an active member of the Goed Wonen foundation, which was dedicated to economic recovery and better living through good design. Throughout his career, Rietveld produced functionalist seating, tables, storage and shelving systems, and lighting that were spare yet homey, efficient yet eye-catching. Plywood and steel were his materials of choice. Beyond his prolific work for Gispen and Ahrend De Cirkel, Rietveld designed for other Dutch furniture manufacturers like Auping and Kembo, among others.

From 1960, Rietveld concentrated on transportation design, while lecturing at his alma mater, the Royal Academy, as well as the Technical University in Delft. Impressed by the diversity of his skills, the Technical University of Delft appointed him Extraordinary Professor in 1973. Rietveld’s creations can be found in many Dutch institutions, like the Stedelijk Museum Amsterdam. He passed away in 1985.

About the Maker

Auping

In 1888, blacksmith Johannes Auping of Deventer, the Netherlands, was commissioned by a local hospital to construct a bed that was more hygienic than the straw mattresses in use at the time.  Working with steel, he designed a mattress that consisted of braided wires joined to a metal frame. Two years later, the Civil Hospital in Amsterdam commissioned the first major order of forty beds. After some adjustments to the original, Auping marketed the new design as a “healthy steel mattress”—with unprecedented capacity for ventilation due to airflow between the steel wires. The high demand for the newfangled mattress allowed Auping to open his eponymous factory in his hometown in 1912.

In the postwar boom era, the Auping company began to collaborate with renowned Dutch designers on an expanded product line. Highlights from this collectible phase of Auping’s history include Dick Cordemeijer’s Cleopatra Daybed (1953), Wim Rietveld’s Arielle Daybed (1955), Friso Kramer’s Euroika Tables (1963), and Frans de la Haye’s Auronde Bed (1973). The Auronde and Cleopatra remain Auping’s most successful designs to date, each having sold over a million models.  

Auping obtained the addition of “Royal” to their name for their 100th anniversary and are now known as Koninklijke Auping BV in Dutch. Today, the company is the largest independent manufacturer of beds in the Netherlands, with a reputation for high quality products, innovative designs, and lasting comfort. Recent designer collaborations include projects with Piet Hein Eek, Thomas Althaus, and Jan des Bouvrie. Auping’s product line—beds, box springs, mattresses, mesh bases, tables, and chairs—are solely manufactured in the Netherlands and have won various awards over the years, such as the Red Dot Award and Cradle to Cradle certification for utilizing of more than 50% recycled materials. 

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