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Dutch Nr. 413 Armchairs by Willem Hendrik Gispen for Gispen, 1930s, Set of 2

  • Dutch Nr. 413 Armchairs by Willem Hendrik Gispen for Gispen, 1930s, Set of 2 1
  • Dutch Nr. 413 Armchairs by Willem Hendrik Gispen for Gispen, 1930s, Set of 2 2
  • Dutch Nr. 413 Armchairs by Willem Hendrik Gispen for Gispen, 1930s, Set of 2 3
  • Dutch Nr. 413 Armchairs by Willem Hendrik Gispen for Gispen, 1930s, Set of 2 4

About This Piece

Vintage Design

It takes two to tango. A beautiful set of 2 vintage armchairs. Designer: Willem Hendrik Gispen. Fabricator: Gispen. Country of origin: The Netherlands. Period: 1960. This model originates from 1935. These matt tube frame chairs have a tube diameter of 22 mm. The stylish black Gisolite floating armrests give this chair an extra dimension. Considering the age still in a good vintage condition. Are these timeless design classics going to show off at your home? Measurements: H79 x W58.5 x D66 cm.
* Please note that items made of Rosewood are subject to a special export process that may extend the delivery time an additional 2 to 4 weeks
Designer Willem Hendrik Gispen
Manufacturer Gispen
Production Period 1930 to 1939
Identifying Marks This piece has been attributed based on archival documentation, such as vintage catalogs, designer records, or other literature sources
Style Vintage
Detailed Condition Good — This vintage item remains fully functional, but it shows sign of age through scuffs, dings, faded finishes, minimal upholstery defects, or visible repairs.
Product Code BW-699460
Weight Range Standard — Between 40kg and 80kg
Duties Notice Import duty is not included in the prices you see online. You may have to pay import duties upon receipt of your order.

Shipping & Delivery

Ships from Netherlands
Duties Notice Import duty is not included in the prices you see online. You may have to pay import duties upon receipt of your order.
Returns Returns accepted within 14 days of delivery, except for Made-to-order items

Delivery Options

Front Door Delivery:
(Included in Every Order)
  • A skilled driver will unload the item(s) from the delivery truck and bring it to your building’s doorstep. You will be responsible for further transport beyond that point. We recommend asking a family member or friend for an extra hand; alternatively, you may upgrade to In-Home Delivery (see below).
  • The delivery partner will email and/or call you at least one day in advance to arrange a delivery time.
  • A wooden crate may be used for intercontinental shipments for maximum protection.
  • Item will be left in its packaging after delivery.
  • A signature will be required upon delivery.
In-Home Delivery:
(For in-home delivery service, additional fees apply. Please get in touch)
  • A skilled driver or a team of two will bring your item(s) inside your home and place it in the immediate entryway. For unusually large or heavy items, we recommend asking a family member or friend for an extra hand, as we cannot send more than 2 drivers.
  • The delivery partner will email and/or call you one day in advance to arrange a delivery time.
  • A wooden crate may be used for intercontinental shipments for maximum protection.
  • Item will be left in its packaging after delivery.
  • A signature will be required upon delivery.

*Important Note

Please examine every order upon delivery. In the event that there are visible signs of damage or missing or incorrect pieces, please indicate the problem on the Delivery Note and contact us within 48 hours of delivery. A signed delivery receipt without notations of missing, damaged, or incorrect item(s) represents your acceptance of the complete order in perfect condition.

About the Designer

Willem Hendrik Gispen

Want to Know More About W.H. Gispen?

W.H. Gispen was a Dutch industrial designer best known for his Giso lamps and functionalist steel-tube furniture. Born in 1890 in Amsterdam, he studied design at the Academy of Visual Arts and Technical Science in Rotterdam as part of the architectural department. In 1915, after only two years, Gispen left school early, partly due to the outbreak of World War One. In 1916 he set up a small smithy, which would eventually develop into the famous Gispen Factory for Metalwork. In 1949, Gispen left the company because of tensions between him and the co-director of the firm W. van Osselen. He began to lecture at the Royal Academy at The Hague, co-founded the Kembo factory and, at the age of seventy-five, began to take etching lessons.

The Many Styles of W.H. Gispen

Gispen’s pieces took inspiration from numerous sources, drawing on De Stijl, Bauhaus, and Constructivism, to name a few. In the early years, Gispen’s designs were reminiscent of the expressionism of the Amsterdamse School and of Art Nouveau. Alongside ornamental wrought-iron work, he began producing items like firesides,Table Lamps , wooden furniture, and Clocks . From 1923 onwards, Gispen was introduced to, and subsequently inspired by, the Bauhaus movement in The Netherlands. At the international exhibition of Decorative and Industrial Arts in Paris, he received an award for his ornamental iron-work and became aware of Le Corbusier, Constructivism and other French modernists. These influences inspired him to create the Giso lamp and the armchair no. 412. Made with “Scientific Lighting” aesthetic and demands in mind, these lamps are still celebrated today.

W.H. Gispen and His Legacy

In 1916 Gispen purchased his own kiln at the Coolschestraat in Rotterdam, where he started his own workshop in September of that year. It was here where he produced some of his most memorable pieces. His success was in part due to the fact that he was responsible for his own marketing and advertising, as well as opening showrooms in Amsterdam, Rotterdam, Brussels and later in London, Paris, and other cities abroad. During the Second World War, metalwork was prohibited outside the war industry, so the factory began to produce parts for aircrafts. In 1920 W.H. Gispen co-founded the architects' circle Opbouw, which created the foundations for Dutch Functionalism. The Stedelijk Museum in Amsterdam organised the first exposition ever dedicated to Gispen in 1981, which focused on his lamp designs from 1916 to 1949. That same year, Gispen died on May 10.

About the Maker

Gispen

Willem Hendrik (W. H.) Gispen, a pioneer of Dutch functionalism, was born in Amsterdam in 1890. Prior to the outbreak of World War I, he studied design in the architecture department at the Academy of Visual Arts & Technical Science in Rotterdam. In 1916, he set up an eponymous metalwork shop dedicated to ornamental iron, brass, and bronze decorative arts. During these early years, Gispen produced objects in Expressionist and Art Nouveau styles.

In the 1920s, however, through encounters with influential theorists and practitioners of modernism—such as De Stijl architect J. J. P. Oud, Deutscher Werkbund architect Hermann Muthesius, and Purist architect Le Corbusier—Gispen’s firm increasingly moved toward mechanized production and rational, economical, minimalist designs. His geometrically reduced Giso Light (1926/7), now considered one of the Netherlands’ greatest design icons, was the culmination of his newfound commitment to functionalism. It was quickly followed by his first cantilevered, tubular steel chair, inspired by the work of Ludwig Mies van der Rohe and Mart Stam. Gispen’s marketing and advertising arms also adopted the vanguard spirit of the day through cutting-edge typography and collaged photos by the likes of graphic artist Paul Schuitema and photographer Jan Kamman.

Gispen’s successes in the 1920s were followed by years of hardship. The 1929 Wall Street Crash and the resulting Great Depression nearly sent the company into bankruptcy. In response, Gispen was reorganized, and naval architect W. van Osselen was brought in as co-director to develop a promising office furniture line in steel. Multiple patents lawsuits—from Stam and van der Rohe in particular—further hampered the company’s growth in the 1930s. Then, in the 1940s, W. H. Gispen was imprisoned for protesting the Nazi Kulturkammer censorship policies. In 1949, he resigned from his own company due to mounting artistic tensions with van Osselen, but he remained a consultant for Gispen until the 1960s. 

Gispen flourished in the 1950s and '60s, even after its founder's departure. In particular, the company found great success with the minimalist, rationalist designs of A. R. Cordemeyer and Wim Rietveld. Standout designs from the Gispen collection in the postwar era include the 1407 Armchair (1954) by Cordemeyer and Rietveld, Model 663 Storage System (1954) by Rietveld, Model Giso 4050 Lamp (1956) by Rietveld, 217 Chair (1957) by Rietveld and his father Gerrit Rietveld, 1262 Chair (1959) by Cordemeyer, and 1637 Swivel Chair (1963) by Cordemeyer.

W. H. Gispen's design career did not end upon his departure from the company. he went on to found another design manufacturing company, called Kembo, in 1953 and taught at the Koninklijke Academie in The Hague, among other design ventures

Today, Gispen operates under the name Gispen International BV and continues to reproduce W. H. Gispen’s original designs alongside evolving lines of office furniture. The Stedelijk Museum in Amsterdam organized the first exhibition dedicated to Gispen in 1981, which focused primarily on lamp designs from 1916 to 1949. The Giso Model 404 Piano Lamp (1927/28), designed by Oud and Gispen and produced by the Gispen firm, can be found in a number of museum collections, including the Cooper Hewitt and MoMA in New York and the Wolfsonian in Miami.

 

*All images courtesy of Gispen

$1,754
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