French Expressionist oil on board marine landscape by Jean Arene. The painting is signed bottom left and is presented in a fine silver leaf custom frame.
Provenance: from the collection of famous French actor Pierre Richard who acquired it direct from the artist.
This atmospheric painting captures a serene seascape, presented with a muted colour palette that emphasizes the tranquil and introspective mood. The composition highlights expansive tidal flats under a soft, overcast sky, where the horizon subtly blends into the sea, creating an ethereal atmosphere. The layered textures of the water and land convey a sense of depth and movement, drawing attention to the natural beauty of the scene. In the foreground, bare branches stretch upwards, adding an organic contrast to the sweeping horizontal lines. The careful brushwork and restrained use of colour suggest a fleeting moment in time, invoking a contemplative sense of peace. This piece uniquely captures the quiet majesty of nature, inviting viewers to pause and reflect.
Jean Arène was a student of August Chabaud, a highly sought after French artist in Provence who in turn took his inspiration from Cezanne.
After a stint in 1949 at the School of Fine Arts in Marseille, then a year in Paris in 1950 with the poster artist Paul Colin, Jean Arène returned to Marseille the following year where he founded the "Group of under 30'' with Trofimoff, Trabuc, Zutter and Mela and began painting as an autodidact, while earning a living in advertising and decoration.
His first exhibition dates from 1956. Then, from 1957, Jean Arène left the city for the countryside, which served as his base for many trips, often hitchhiking and backpacking, but always accompanied by a pencil and a sketchbook: Spain, Morocco in 1957, West Africa in 1960, (followed by an exhibition in Dakar), Northern Europe (Germany, Denmark, Sweden, Norway, Lapland , Lofoten, Netherlands and Belgium) In 1963 a trip to Tunisia. Then in 1966 his first retrospective in Toulon.
In 1970 Arène left for the United States and Mexico, followed two years later by West Africa again: Tassili, the Sahara and Algeria.
He exhibited extensively in Provence and the Gard: Aix-en-Provence, Uzès, Avignon, La Ciotat and Cassis. But his travels also led him to exhibit abroad: Dakar, Ouagadougou, French cultural centres in Algeria, Morocco and Indonesia, where he also started preparing one of his books which later became a series.
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