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Lettera DL Typewriter by Ettore Sottsass for Olivetti, Italy, 1965

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  • Lettera DL Typewriter by Ettore Sottsass for Olivetti, Italy, 1965 1
  • Lettera DL Typewriter by Ettore Sottsass for Olivetti, Italy, 1965 2
  • Lettera DL Typewriter by Ettore Sottsass for Olivetti, Italy, 1965 3
  • Lettera DL Typewriter by Ettore Sottsass for Olivetti, Italy, 1965 4
  • Lettera DL Typewriter by Ettore Sottsass for Olivetti, Italy, 1965 5
  • Lettera DL Typewriter by Ettore Sottsass for Olivetti, Italy, 1965 6
  • Lettera DL Typewriter by Ettore Sottsass for Olivetti, Italy, 1965 7
  • Lettera DL Typewriter by Ettore Sottsass for Olivetti, Italy, 1965 8
  • Lettera DL Typewriter by Ettore Sottsass for Olivetti, Italy, 1965 9
  • Lettera DL Typewriter by Ettore Sottsass for Olivetti, Italy, 1965 10
  • Lettera DL Typewriter by Ettore Sottsass for Olivetti, Italy, 1965 11
  • Lettera DL Typewriter by Ettore Sottsass for Olivetti, Italy, 1965 12
  • Lettera DL Typewriter by Ettore Sottsass for Olivetti, Italy, 1965 13
  • Lettera DL Typewriter by Ettore Sottsass for Olivetti, Italy, 1965 14
  • Lettera DL Typewriter by Ettore Sottsass for Olivetti, Italy, 1965 15
  • Lettera DL Typewriter by Ettore Sottsass for Olivetti, Italy, 1965 16
  • Lettera DL Typewriter by Ettore Sottsass for Olivetti, Italy, 1965 17

About This Piece

Vintage Design

The Letter DL, where DL stands for De Luxe, was designed above all for a female clientele, a lover of elegance.

Designed in 1965 by the architect and designer Ettore Sottsass. It takes up mechanically the Letter 32, released in 1963 designed by Marcello Nizzoli


KEYBOARD:

The Italian version of the machine uses the qwerty layout, although versions with different key layouts have been produced depending on the language they were addressed to. There are 43 alphanumeric keys for a total of 86 signs. In addition to these, the keyboard includes a space bar, two keys to set capital letters, a capital lock key, a lever to be able to go over the set margins, a key to go back one character, a lever to set the tab stops and a key (red) to switch from one tab to another.

The set of characters available has obvious shortcomings: there is no key with the number 1 which is obtained using the lower case letter l (elle) or capital I (i); in the same way there is no zero, which is obtained by typing the capital O (o); also missing are the keys for accented capital vowels used in the Italian language, which had to be replaced by the normal letters followed by the apostrophe.

This type of solution was quite common in typewriters of the time.

The machine is complete with a dust cover and a carrying case for easy transport, which acts as a lid when not in use.
The typewriter is in perfect condition, is in working order and the vinyl cover is intact and unbroken.

Click here for full description Close description

* Please note that items made of Rosewood are subject to a special export process that may extend the delivery time an additional 2 to 4 weeks
Creator Ettore Sottsass
Manufacturer Olivetti - Ivrea
Design Period 1960 to 1969
Year 1965
Production Period 1960 to 1969
Country of Manufacture Italy
Identifying Marks This piece has an attribution mark
Style Vintage, Italian Modern
Detailed Condition Excellent — This vintage piece is in near original condition. It may show minimal traces of use and/or have slight restorations.
The vendor has confirmed this piece is in working order.
Product Code ERB-1098205
Materials Metal, Plastic
Color Black, grey, red
Width 34 cm 13.4 inch
Depth 30 cm 11.8 inch
Height 10 cm 3.9 inch
Duties Notice Import duty is not included in the prices you see online. You may have to pay import duties upon receipt of your order.

Shipping & Delivery

Ships from Italy
Duties Notice Import duty is not included in the prices you see online. You may have to pay import duties upon receipt of your order.
Returns Returns accepted within two days of delivery, except for Made-to-order items
Carbon Neutral For every purchase made, Pamono offsets 100% of estimated carbon emissions from global shipping.

Delivery Details

  • Delivery will be completed by a parcel service such as UPS, DHL, or FedEx.
  • You will receive a tracking number to monitor the status of your shipment.
  • Delivery will take place between 9am and 5pm, Monday to Friday.
  • A wooden crate may be used for intercontinental shipments for maximum protection.
  • Item will be left in its packaging after delivery.
  • A signature will be required upon delivery.

*Important Note

Please examine the packaging upon delivery. In the event that there are visible signs of damaged packaging, please indicate the problem on the Delivery Note, take pictures, and—if the item inside shows damages—contact us within 48 hours of delivery. A signed delivery receipt without notations regarding damaged packaging represents your acceptance of the completed order in perfect condition.

About the Creator

Ettore Sottsass

Born in Innsbruck, Austria in 1917, architect-designer Ettore Sottsass grew up in Milan. He studied architecture at the Polytechnic of Turin, graduating in 1939. As a member of the Italian army, Sottsass spent most of World War II in a Yugoslavian concentration camp. After the war, he returned to Milan and opened his first studio in 1947. Like most Italian designers in these years, he focused on activities to help the postwar reconstruction efforts, including exhibition design.

In 1958, he began working with Olivetti, for whom he designed multiple landmark objects—including Valentine, the brand’s iconic 1969 red plastic typewriter—and transformed the large, cold electronics and office machinery of the day into playful, accessible objects of desire.

During the 1960s, Sottsass spent time in both India, where he was deeply affected by the country’s vibrant colors and mythologies, and the U.S., where he embraced pop art culture. These influences can be seen in Sottsass's ceramic designs through the rest of his life.

In 1973, he cofounded Global Tools, an experimental design collective, alongside Gaetano Pesce, Alessandro Mendini, and others. During the ’70s, he collaborated with Alessi, Baccarat, and Knoll, designing everyday items like condiment sets and decanters. Other manufacturers that Sottsass designed for include Artemide, Bitossi, O-Luce, Poltronova, Skipper, Stilnovo, and Zanotta.

In 1980, he formed the architecture/design firm Sottsass Associati. In 1981, he founded the Memphis Group, an influential, flamboyant design firm known for its brightly colored post-modern furniture, ceramics, and lighting. He remained with the Group until 1985, at which point he turned his attentions again to architecture. He died at the age of 90.

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