Ninfea Hand-Woven Folding Chair attributed to Gio Ponti for Fratelli Reguitti, Italy, 1950s

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About This Piece

Vintage Design

Fabulous "Ninfea" folding chair designed by Gio Ponti for Fratelli Reguitti in Italy during the 1950s. In the super rare hand-woven wicker version, completely original and in fabulous condition. A masterpiece of postwar organic Italian design, it perfectly combines functionality, lightness, and formal elegance. The frame is made of dark-stained bentwood, while the seat and backrest were hand-woven in rattan wicker. The sculpted armrests and fluid curves recall the organic shape of a water lily—Ninfea in Italian. Fully foldable, it’s practical for storage or transport, while remaining a highly decorative and collectible piece. The piece is branded "Brevetti Reguitti – Made in Italy" on the structure. An iconic and rare piece of Italian mid-century design, ideal for collectors, design dealers, or refined interiors. Dimensions open (cm): Height - 45 Width - 55 Depth - 44 Dimensions closed (cm): Height - 58 Width - 55 Depth - 5 Bibliography: Gio Ponti: The Complete Work 1923–1978, Lisa Licitra Ponti, Thames & Hudson, 1990. Domus magazine, multiple issues from the 1950s and 1960s, edited by Gio Ponti. Repertorio del Design Italiano 1950–2000, Giuliana Gramigna, Allemandi, 2003 – p. 164 (mentions folding chairs produced by Reguitti after designs by Gio Ponti). Reguitti Catalogues, Italy, 1950s–60s (archival material and reprints available through vintage design dealers and Italian archives).

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Creator	Gio Ponti
Manufacturer	Fratelli Reguitti
Production Period	1950 to 1959
Country of Manufacture	Italy
Identifying Marks	This piece is attributed to the above-mentioned designer/maker. It has no attribution mark
Style	Vintage
Detailed Condition	Very Good — This vintage/antique item has no defects, but it may show slight traces of use.
Product Code	JDR-2178214
Materials	Brass
Color	Gold
Width	49 cm 19.3 inch
Depth	77 cm 30.3 inch
Height	72 cm 28.3 inch
Weight Range	Standard — Between 40kg and 80kg
Duties Notice	Import duty is not included in the prices you see online. You may have to pay import duties upon receipt of your order.

Shipping & Delivery

Ships from	Italy
Duties Notice	Import duty is not included in the prices you see online. You may have to pay import duties upon receipt of your order.
Returns	Returns accepted within two days of delivery, except for Made-to-order items

Delivery Details

Delivery will be completed by a parcel service such as UPS, DHL, or FedEx.
You will receive a tracking number to monitor the status of your shipment.
Delivery will take place between 9am and 5pm, Monday to Friday.
A wooden crate may be used for intercontinental shipments for maximum protection.
Item will be left in its packaging after delivery.
A signature will be required upon delivery.

*Important Note

Please examine the packaging upon delivery. In the event that there are visible signs of damaged packaging, please indicate the problem on the Delivery Note, take pictures, and—if the item inside shows damages—contact us within 48 hours of delivery. A signed delivery receipt without notations regarding damaged packaging represents your acceptance of the completed order in perfect condition.

Sustainability

Carbon Neutral	For every purchase made, Pamono offsets 100% of estimated carbon emissions from global shipping.
Vintage	Choosing vintage and antique furniture reduces your carbon footprint by cutting down on waste and reduces demand for new materials and extends the life of the products we use.

Product Safety Information

EU Responsible Person	Pamono GmbH Uhlandstr. 175 10719 Berlin

About the Creator

Gio Ponti

Born in Milan in 1891, Giovanni (Gio) Ponti studied architecture at Politecnico. After serving in World War I, he worked as Art Director for respected ceramics company Richard-Ginori. Between 1923 and 1927, he partnered with architects Mino Fiocchi and Emilio Lancia. In 1928, Ponti launched both his own architectural studio and the famed magazine Domus. Through the pages of Domus—and, later, those of Lo Stile, which he founded and edited between 1941 and 1947—Ponti influenced international design taste for over 50 years.

Around 1933, he teamed up with engineers Antonio Fornaroli and Eugenio Soncini to form Studio Ponti-Fornaroli-Soncini, which embraced a decidedly Modernist idiom and lasted until 1945. In 1950, he won the design commission for what became one of the 20^th century’s most iconic buildings: Milan’s 32-story Pirelli Tower (built 1956). In 1952, he partnered with architect Alberto Rosselli (Studio Ponti-Fornaroli-Rosselli); after Rosselli’s death in 1976, Ponti continued to collaborate with longtime partner Fornaroli.

Throughout his career, Ponti juggled numerous roles, including architect, industrial designer, craftsman, professor, painter, editor, and journalist. In addition to his prolific architectural work, Ponti’s design credits are also extensive, ranging from coffee machines (the world’s first, the Pavoni, in 1949) to lighting and furniture for the likes of Cassina, Artemide, and Venini.