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Opalescent Glass Naiade Sculptures by René Lalique, 1920s, Set of 2

  • Opalescent Glass Naiade Sculptures by René Lalique, 1920s, Set of 2 1
  • Opalescent Glass Naiade Sculptures by René Lalique, 1920s, Set of 2 2
  • Opalescent Glass Naiade Sculptures by René Lalique, 1920s, Set of 2 3
  • Opalescent Glass Naiade Sculptures by René Lalique, 1920s, Set of 2 4
  • Opalescent Glass Naiade Sculptures by René Lalique, 1920s, Set of 2 5
  • Opalescent Glass Naiade Sculptures by René Lalique, 1920s, Set of 2 6

About This Piece

These statuettes in patinated, opalescent, moulded-pressed glass, are large model 'Naïade' sculptures. They are signed 'R.Lalique'. The model was created in 1920.
* Please note that items made of Rosewood are subject to a special export process that may extend the delivery time an additional 2 to 4 weeks
Designer René Lalique
Design Period 1920 to 1949
Production Period 1920 to 1929
Country of Manufacture France
Literature Sources Félix Marcilhac, 'René Lalique, Catalogue raisonné de l'oeuvre et verre', Editions de l'Amateur, Paris, 2004, p. 399 nr 832
Style Vintage, Art Deco
Detailed Condition Very Good — This vintage item has no defects, but it may show slight traces of use.
Restoration and Damage Details Light wear consistent with age and use, Minor bubble
Product Code DFB-448340
Materials Glass, Molded Glass
Color Blue, Clear
Height 13 cm 5.1 inch
Diameter 2.0 inch
Duties Notice Import duty is not included in the prices you see online. You may have to pay import duties upon receipt of your order.

Shipping & Delivery

Ships from France
Duties Notice Import duty is not included in the prices you see online. You may have to pay import duties upon receipt of your order.
Returns Returns accepted within 14 days of delivery, except for Made-to-order items

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  • The delivery partner will email and/or call you at least one day in advance to arrange a delivery time.
  • A wooden crate may be used for intercontinental shipments for maximum protection.
  • Item will be left in its packaging after delivery.
  • A signature will be required upon delivery.
In-Home Delivery:
(For in-home delivery service, additional fees apply. Please get in touch)
  • A skilled driver or a team of two will bring your item(s) inside your home and place it in the immediate entryway. For unusually large or heavy items, we recommend asking a family member or friend for an extra hand, as we cannot send more than 2 drivers.
  • The delivery partner will email and/or call you one day in advance to arrange a delivery time.
  • A wooden crate may be used for intercontinental shipments for maximum protection.
  • Item will be left in its packaging after delivery.
  • A signature will be required upon delivery.

*Important Note

Please examine every order upon delivery. In the event that there are visible signs of damage or missing or incorrect pieces, please indicate the problem on the Delivery Note and contact us within 48 hours of delivery. A signed delivery receipt without notations of missing, damaged, or incorrect item(s) represents your acceptance of the complete order in perfect condition.

About the Designer

René Lalique

Glass artist and jeweler René Jules Lalique (1860-1945) is known for his sculptures, car mascots, perfume bottles, vases, fine jewelry, and tableware. His work reflects the stylistic saddle epoch—from Art Nouveau at the turn of the century to Art Deco in the 1920s—in which they were created.  Lalique became one of the most successful in his field and his glass art can be seen displayed in museums around the world.

Born in 1860 in Ay, Lalique moved to Paris with his family at the age of two. He often returned to his birthplace in the Champagne region of northern France, the rural landscape later providing inspiration for his naturalist glassworks. At the age of sixteen, Lalique apprenticed with the famous jeweler Louis Aucoc (1850-1932) while simultaneously studying at the Ecole des Arts Decoratifs in Paris, before training formally at the Sydenham Art College in London, from 1878 to 1880. Returning to France, he worked once again for Aucoc, then for the high-end jewelers Boucheron and Cartier. The World Fairs of 1867 and 1878 influenced Lalique enormously, drawing considerable inspiration from Japanese art. Sometime between 1882 and 1885, Lalique opened his own studio and began a long and successful career of designing fine jewelry for the biggest luxury brands in France. From 1885, he started designing for private clients, which included many women of nobility.

Lalique is celebrated as one of the most important French jewelry designers of the Art Nouveau period, most notably for his delicate creations for Samuel Bing’s Parisian design house, Maison de l’Art Nouveau, which gave its name to the "New Art" style. Lalique began showcasing his own work at various national and international exhibitions from 1894, including the Salon des Artistes Français in 1897, and the World Fair in 1900, which brought him world renown. Natural forms typical of the Art Nouveau style dominated Lalique's jewelry—particularly peacocks, dragonflies, and mythical creatures. Although Lalique became more and more interested in glass as a medium, he also deviated from his contemporaries for his willingness to use materials ignored by other jewelers such as enamel, horn, leather, mother-of-pearl, and semi-precious stones.

In 1905, Lalique opened a retail store in the Place Vendome in Paris, where he began designing perfume bottles for a nearby perfume seller. Realizing that the simple glass flasks holding the perfume could be a piece of art, Lalique created hundreds of unique bottles for various firms, establishing himself as the preeminent manufacturer of perfume bottles. He was also instrumental in the establishment of luxury brands and the commercialization of artists.

From the 1910s onward, Lalique’s aesthetic moved away from Art Nouveau and transitioned into Art Deco. In 1921, Lalique opened his own glass factory at Wingen-sur-Moder in the Alsace region, where he discarded the then-passé brightly-colored jewelry he was famous for, reinventing himself completely. Many of Lalique’s glass pieces were subject to post-manufacture touches as well—such as patinating, enameling, and frosting, which led to truly unique works of art. Over the next decade, Lalique created vases—most well-known being his Cire Perdue vases (1900-1933); automobile hood ornaments—such as Cinq Chevaux for the 5 CV Citroën (1925); the interior of the Orient Express Railroad dining cars (1927); and the cascading chandeliers in the first-class dining rooms of the Normandie ocean-liner (1935). Lalique’s designs for these luxurious, yet technologically advanced projects were hallmarks of the exuberant Art Deco period.

The first of many retrospective exhibitions featuring Lalique opened in 1933 in the Musée des Arts Décoratif. In 1945, Lalique passed away, survived by his son Marc Lalique who began reproducing his father’s iconic designs in crystal, until his own death in 1977. Lalique is buried alongside his second wife and son in the famous Père-Lachaise cemetery in Paris.

$10,406
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