PK9 Chair by Poul Kjærholm for Fritz Hansen, 1980s

Born in ØsterVrå, Denmark in 1929, designer Poul Kjaerholm began his career as a cabinetmaker’s apprentice in 1948. He studied at the School of Arts and Crafts in Copenhagen, graduating in 1952, and subsequently taught there until 1956. He was a lecturer at the Royal Danish Academy of Fine Arts in 1959, head of the Institute of Design in 1973, and became a professor there in 1976.

Kjaerholm’s furniture designs were characterized by a simple aesthetic that stripped away ornament in favor of clean lines and materials-based beauty. He used steel frames extensively in his work, often in combination with natural materials such as wood, cane, and leather, and was a strong proponent of industrial production.

Kjaerholm designed dozens of chairs  and tables , including the iconic PK22 and PK24 chairs, and E. Kold Christensen and Fritz Hansen produced several of his designs. His myriad awards include the Grand Prix at the Milan Trienale (in both 1957 & 1960) and the Lunning Award (1958). Kjaerholm’s designs are in the permanent collections of major museums across the globe. In 2006, he was the subject of a major retrospective at Denmark’s Louisiana Museum of Modern Art.

Danish cabinetmaker Fritz Hansen founded his eponymous furniture manufacturing company with his son Christian in Copenhagen in 1885. The first three decades were dedicated to hand-making wood and iron frames for upholstered furniture. In 1915, however, Christian began to introduce industrial processes, such as steam-bending wood, which enabled the family business to mass-produce at a larger scale.

In 1932, Christian brought in his own sons, Fritz and Søren, who updated the product line to include more modernist styles, like Søren’s Thonet-inspired DAN Chair (1930) and a cantilevered wicker and tubular steel chair by architect Mogens Lassen (1933). Other early classics in the Fritz Hansen catalog include Kaare Klint’s Church Chair (1936), Hans Wegner’s China Chair (1944), and Børge Mogensen’s Spoke Back Sofa (1945).

During the 1950s—thanks especially to the contributions of architect Arne Jacobsen—Fritz Hansen entered its golden era, creating some of the most iconic Scandinavian designs of the 20th century. Arne Jacobsen’s Ant Chair (1952), Swan Sofa (1958) and Egg Chair & Ottoman (1958), as well as later designs by Verner Panton, Piet Hein, and Grete Jalk, all helped to cement Fritz Hansen’s legacy as one of the most beloved producers of high quality, simple-yet-elegant, Danish modern furniture.

In 1979, after 107 years of family ownership, Fritz Hansen was bought out by Skandinavisk Holding and is now known as The Republic of Fritz Hansen. Pieces from the company’s long history can be found in nearly every design museum collection there is, from MoMA and Cooper Hewitt in New York to the Powerhouse Museum in Sydney. Arne Jacobsen’s collaboration with Fritz Hansen was the subject of the Siéntate Siéntete exhibition, hosted by the Chamber of Architects in Madrid in 2010.  

* All images courtesy of Republic of Fritz Hansen.