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S43F Black Wood Chair by Mart Stam for Thonet, 1930s

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  • S43F Black Wood Chair by Mart Stam for Thonet, 1930s 1
  • S43F Black Wood Chair by Mart Stam for Thonet, 1930s 2
  • S43F Black Wood Chair by Mart Stam for Thonet, 1930s 3
  • S43F Black Wood Chair by Mart Stam for Thonet, 1930s 4
  • S43F Black Wood Chair by Mart Stam for Thonet, 1930s 5
  • S43F Black Wood Chair by Mart Stam for Thonet, 1930s 6
  • S43F Black Wood Chair by Mart Stam for Thonet, 1930s 7
  • S43F Black Wood Chair by Mart Stam for Thonet, 1930s 8
  • S43F Black Wood Chair by Mart Stam for Thonet, 1930s 9
  • S43F Black Wood Chair by Mart Stam for Thonet, 1930s 10
  • S43F Black Wood Chair by Mart Stam for Thonet, 1930s 11
  • S43F Black Wood Chair by Mart Stam for Thonet, 1930s 12
  • S43F Black Wood Chair by Mart Stam for Thonet, 1930s 13
  • S43F Black Wood Chair by Mart Stam for Thonet, 1930s 14
  • S43F Black Wood Chair by Mart Stam for Thonet, 1930s 15
  • S43F Black Wood Chair by Mart Stam for Thonet, 1930s 16

The seller assumes all responsibility for this listing.

About This Piece

Vintage Design

This tubular chair features a black wooden seat and armrests. The chair has a special shape backrest and elegant wooden armrests and shaped seat. The base features beautiful details like the attachment on the backrest. The seat and back are painted black and the chair weighs 6.5 kg.

Click here for full description Close description

* Please note that items made of Rosewood are subject to a special export process that may extend the delivery time an additional 2 to 4 weeks
Creator Mart Stam
Manufacturer Thonet
Design Period 1920 to 1949
Year 1960
Production Period 1930 to 1939
Country of Manufacture Germany
Identifying Marks This piece has been attributed based on archival documentation, such as vintage catalogs, designer records, or other literature sources
Style Vintage
Detailed Condition Good — This vintage/antique item may have some wear such as scratches and other signs of ageing.
Restoration and Damage Details
Light wear consistent with age and use, Some loss of black paint, The base shows loss of chrome and rusty spots
Product Code BO-469386
Materials Metal, Plywood, Wood
Color Black, silver
Width 54 cm 21.3 inch
Depth 49 cm 19.3 inch
Height 82 cm 32.3 inch
Seat Height 17.7 inch
Duties Notice Import duty is not included in the prices you see online. You may have to pay import duties upon receipt of your order.

Shipping & Delivery

Ships from Netherlands
Duties Notice Import duty is not included in the prices you see online. You may have to pay import duties upon receipt of your order.
Returns Returns accepted within two days of delivery, except for Made-to-order items

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(Included in Every Order)
  • A skilled driver will unload the item(s) from the delivery truck and bring it to your building’s doorstep. You will be responsible for further transport beyond that point. We recommend asking a family member or friend for an extra hand; alternatively, you may upgrade to In-Home Delivery (see below).
  • The delivery partner will email and/or call you at least one day in advance to arrange a delivery time.
  • A wooden crate may be used for intercontinental shipments for maximum protection.
  • Item will be left in its packaging after delivery.
  • A signature will be required upon delivery.
In-Home Delivery:
(For in-home delivery service, additional fees apply. Please get in touch)
  • A skilled driver or a team of two will bring your item(s) inside your home and place it in the immediate entryway. For unusually large or heavy items, we recommend asking a family member or friend for an extra hand, as we cannot send more than 2 drivers.
  • The delivery partner will email and/or call you one day in advance to arrange a delivery time.
  • A wooden crate may be used for intercontinental shipments for maximum protection.
  • Item will be left in its packaging after delivery.
  • A signature will be required upon delivery.

*Important Note

Please examine every order upon delivery. In the event that there are visible signs of damage or missing or incorrect pieces, please indicate the problem on the Delivery Note and contact us within 48 hours of delivery. A signed delivery receipt without notations of missing, damaged, or incorrect item(s) represents your acceptance of the complete order in perfect condition.

Sustainability

Carbon Neutral For every purchase made, Pamono offsets 100% of estimated carbon emissions from global shipping.
Vintage Choosing vintage and antique furniture reduces your carbon footprint by cutting down on waste and reduces demand for new materials and extends the life of the products we use.

About the Creator

Mart Stam

Pioneering Dutch modernist architect-designer Mart Stam (1899-1966) was a famous proponent for New Objectivity, a German cultural movement advocating for a return to unsentimental reality. He is also credited with designing the first cantilevered chair in furniture history.

Born in North Holland in 1899, Martinus Adianus “Mart” Stam earned a degree in drawing from the Royal School for Advanced Studies in Amsterdam (1917-19). After graduating, he moved to Rotterdam to work as a draftsman in the architectural office of Marinus Jan Granpré Molière (1883-1972), whose mentoring had a lifelong impact on Stam’s career.

In 1922, Stam won the right to design an urban plan concept for The Hague. Stam’s designs included roads that ran perpendicular to the beach, a novel concept that had yet to be seen. Later that year, Stam moved to Berlin and worked together with architect Max Taut (1884-1967) and Russian avant-garde architect El Lissitzky (1890-1941)—who became a lifelong friend—on various projects. During this time, Stam began developing his signature “New Objectivity” style.

Founded in the aftermath of World War I by Weimar artists Max Beckmann, Otto Dix, and George Grosz, Neue Sachlichkeit (German for “New Objectivity”) was a cross-discipline movement and aesthetic approach that was dedicated to practical engagement with the world. The Bauhaus school was founded on these sober but idealistic principles, which resulted in designs characterized by reduced forms and new materials. Turning away from expressionism, proponents of New Objectivity rejected romantic idealism in favor of realism, rationality, and order.

Stam worked alongside the likes of Le Corbusier, Ludwig Mies van der Rohe, Peter Berens, Bruno Taut, Hans Peolzig, and Walter Gropius during the landmark Die Wohnung exhibition for the Weissenhof Estate in Stuttgart in 1927. His contribution to the project included the Nr. 28 House in the White House Settlement, designing both the outside and inside. It was here that he unveiled his first set of cantilevered chairs, which would spark a whole new genre of like-minded designs. Stam’s S33 and S34 Chairs (both 1926) utilized bent tubular steel, which was thought to be the material of the future during the heyday of the modernist era. These chairs revolutionized modern furniture, as the robust nature of the tubes facilitated minimalist yet durable designs. The chair also resulted in a copyright feud between Stam and Marcel Breuer, which Stam won. Thonet put Stam’s cantilevered chair designs in production in 1932.

Throughout his career, Stam held many acclaimed positions, including the editor of the avant-garde magazine ABC—Contributions to Building, the head of the Academy of Arts & Crafts in Amsterdam, and the director of the Conservatory for Applied Art in Berlin-Weißensee. After a short stint living in Amsterdam, he moved to Zurich and retired in 1966. Stam passed away later that year at the age of 86. 

About the Maker

Thonet

Thonet—the oldest surviving furniture company in the world—began its long life in 1819, when cabinetmaker Michael Thonet (1796-1871) established a furniture workshop in Boppard, Germany. A proponent of the Biedermeier style, he specialized in chairs, tables, and storage pieces characterized by clean lines, reduced ornamentation, and an emphasis on functionalist principles. By the 1830s, Thonet’s experiments in laminated and steam-bent wood furniture, like his famous Boppard Chair (1836), brought international acclaim. Thonet’s designs achieved a combination of lightness, durability, and comfort unknown in European furniture at the time.

A great fan of his work, Prince Metternich of Austria invited Thonet to present his designs to the Viennese court in 1842. Finding so much support there, Thonet opened a new company in Vienna in 1849. In 1853, he transferred his company to his sons, and Gebrüder Thonet was established.

Through the second half of the 19th century, Gebrüder Thonet designs grew increasingly popular with the cultural vanguard, especially among progressive design thinkers and tastemakers. One design in particular, the No. 14 Café Chair (ca. 1859), led the way to international success: the chair’s innovative bending technique was well suited to industrial production, and its rationalized, easily assembled structure allowed for efficient packing and shipping. In 1850, Anna Daum famously outfitted her fashionable Viennese café with No. 14 Chairs, and by the 1870s, Gebrüder Thonet had sales offices across Europe and the US. To date, more than 50 million No. 14 Chairs have been sold worldwide–not counting the untold pirated copies.

Iconic pieces from the traditional Gebrüder Thonet collection include Rocking Chair No. 1 (1860), No. 14 Café Chair (ca. 1859), Adolf Loos’s Café Museum Chair (1899), No. 209 Armchair (ca. 1900), Otto Wagner’s No. 247 Postal Savings Bank Chair (1904), and Josef Hoffmann’s No. 811 (1925). In the early years of the 20th century, Gebrüder Thonet also began producing designs in bent tubular steel by Bauhaus masters like Marcel Breuer, Ludwig Mies van der Rohe, and Mart Stam.

In the aftermath of World War II, Thonet lost all of its production facilities in Eastern Europe, and the sales office at Vienna’s Stephansplatz had been destroyed. Between 1945 and 1953, Georg Thonet, the great-grandson of company founder Michael Thonet, led the rebuilding. Economic success returned quickly. In the ensuing decades, the company commissioned designs from many outstanding designers, such as Verner Panton, Pierre Paulin, Norman Foster, James Irvine, Piero Lissoni, and Stefan Diez. Classic Thonet pieces can be found in museum collections around the world, including the Museum of Modern Art in New York, the Centre Pompidou and Musée d'Orsay in Paris, the Vitra Design Museum in Weil am Rhein, the Pinakothek der Moderne in Munich, the Austrian Museum of Applied Arts in Vienna, and the British Museum and the Victoria & Albert Museum in London.

In 1976 Thonet was divided into two separate German and Austrian companies, which remain independent of each other. Today, Thonet GmbH is headquartered in Frankenberg, Germany and continues to manufacture the original, bentwood and tubular steel designs alongside new pieces by contemporary, international architects and designers. Originally opened in 1861 by Thonet himself, the furniture factory TON (Továrna Ohýbaného Nábytku), which is located in what is known today as the Czech Republic, continues to manufacture Thonet designs. 

* All images courtesy of Thonet.de

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