Shogun Table Lamp by Mario Botta for Artemide, 1986

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About This Piece

Vintage Design

Shogun Table Lamp by Mario Botta for Artemide, 1986 ca. Embossed cast iron, enamelled metal, enamelled metal grid. Dimensions H 60 D 30 cm. Ref. G. Gramigna, Repertorio 1950-2000, Allemandi, Torino, 2003, pag. 374. Very good general condition. Small lines, light scratches and normal signs of wear from daily use.

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* The cable of this item may be original and might need replacement, if not specified otherwise.

Creator	Mario Botta
Manufacturer	Botta (Designer) , Artemide (Workshop/Studio)
Design Period	1980 to 1989
Year	1986
Production Period	1980 to 1989
Country of Manufacture	Italy
Identifying Marks	This piece is attributed to the above-mentioned designer/maker. It has no attribution mark
Style	Vintage
Detailed Condition	Very Good — This vintage/antique item has no defects, but it may show slight traces of use.
Product Code	ZCI-2451686
Restoration and Damage Details	Please note that an additional handling period of up to 4 weeks may apply to this item
Materials	Iron, Metal
Color	White
Width	30 cm 11.8 inch
Depth	30 cm 11.8 inch
Height	60 cm 23.6 inch
Duties Notice	Import duty is not included in the prices you see online. You may have to pay import duties upon receipt of your order.

Shipping & Delivery

Ships from	Italy
Duties Notice	Import duty is not included in the prices you see online. You may have to pay import duties upon receipt of your order.
Returns	Returns accepted within two days of delivery, except for Made-to-order items

Delivery Details

Delivery will be completed by a parcel service such as UPS, DHL, or FedEx.
You will receive a tracking number to monitor the status of your shipment.
Delivery will take place between 9am and 5pm, Monday to Friday.
A wooden crate may be used for intercontinental shipments for maximum protection.
Item will be left in its packaging after delivery.
A signature will be required upon delivery.

*Important Note

Please examine the packaging upon delivery. In the event that there are visible signs of damaged packaging, please indicate the problem on the Delivery Note, take pictures, and—if the item inside shows damages—contact us within 48 hours of delivery. A signed delivery receipt without notations regarding damaged packaging represents your acceptance of the completed order in perfect condition.

Sustainability

Carbon Neutral	For every purchase made, Pamono offsets 100% of estimated carbon emissions from global shipping.
Vintage	Choosing vintage and antique furniture reduces your carbon footprint by cutting down on waste and reduces demand for new materials and extends the life of the products we use.

Product Safety Information

EU Responsible Person	Pamono GmbH Uhlandstr. 175 10719 Berlin

About the Creator

Mario Botta

Born in 1943 in Mendrisio, Switzerland, award-winning architect-designer Mario Botta has built an international reputation for striking postmodern public and private spaces that blend Classical forms with a contemporary sensibility.

Exhibiting a strong interest in design, Botta left school at the age of 15 to become a draftsman and later apprenticed for the architectural studio Carloni & Camenisch in Lugano. After three years, the studio appointed him head designer of the parish house of Genestrerio. Botta eventually left to further his education, attending the Liceo Artistico in Milan and finally the Istituto Universitario di Architettura IUAV in Venice. There he studied under architect-designer Carlo Scarpa and received his professional degree in 1969. During his time in Venice, architectural luminaries Le Corbusier (1887-1965) and Louis Kahn (1901-1974) hired him to work on local projects. These mentors forged a lasting impact on Botta’s career and aesthetic approach.

Around 1970, Botta opened his own practice in Lugano and focused on designing houses and churches. His first solo project—a single-family dwelling in Cadenazzo, Switzerland (1970-1)—features a strong, rectilinear silhouette penetrated by well-composed geometric voids. Botta used pre-industrial materials like brick, stone, and wood, rather than “traditionally” modernist materials like steel and glass.

Other standout projects from Botta’s architectural career include a private house in Viganello, Switzerland (1981); the Cathedral of the Resurrection in Évry, France (1988-1990); the San Francisco Museum of Modern Art (1990-1995); the Church of San Giovanni Battista in Mogno, Switzerland (1992-1996); the Tinguely Museum in Basel (1995-96); the National Bank of Greece in Athens (1998-2001); the Tschuggen Bergoase Spa in Arosa, Switzerland (2007); and the Bechtler Museum of Modern Art in Charlotte, North Carolina (2009-2010).

Botta’s product designs tend to echo the simple, serene geometry found in his buildings. Standouts include the Quinta 605 Chair for Alias (1985), Shogun Parete and Shogun Lamp for Artemide (both 1986), Italian Seconda Chairs for Alias (1982) and Tesi 609 Table for Alias (1985).

Over the course of his illustrious career, Botta has served as a visiting professor at the École Polytechnique Fédérale in Lausanne, Switzerland, and he has been the recipient of numerous design awards, including the Grand Officer Award from then Italian president Carlo Azeglio Ciampi in 2006. He is a member of many notable groups, such as the Commissione Federale Svizzera delle Belle Arti, the Bund Deutscher Architekten (BDA), and the American Institute of Architects (AIA).

Botta’s designs can be found in permanent collections around the world. Notably, he founded the Academy of Architecture Switzerland in 1996. He is also the author of numerous books and monographs.

Today, Botta continues to design in Lugano.