Terracotta Sculpture of Woman by Gio Ponti, 1950s

About This Piece

Vintage Design

Rare terracotta sculpture attributed to the great designer Gio Ponti in the 1950s, fine Italian manufacture.
The sculpture is intended to be hung on the wall, as the back is flat.
The sculpture is modelled entirely in terracotta. It depicts a woman in profile, with her neck turned towards the viewer.
The woman has thick curly hair framing her face, with two roses modelled at both temples. Two soft ringlets descend on her neck. The woman's face is almost apathetic, she has no obvious expressions, as her face is relaxed and in its most relaxed state; her eyebrows are thin, gull-winged, higher than her eyes, which are well-hollowed almond-shaped. Finally, a small nose and a small but fairly fleshy mouth can be seen. Only one shoulder can be seen below, as the woman is in profile; on her chest instead of clothing we see many roses covering her nudity.
This statue is truly rare for boundless lovers of art.

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Creator	Gio Ponti
Design Period	1950 to 1959
Production Period	1950 to 1959
Country of Manufacture	Italy
Identifying Marks	This piece is attributed to the above-mentioned designer/maker. It has no attribution mark
Style	Italian, Mid-Century
Detailed Condition	Good — This vintage/antique item may have some wear such as scratches and other signs of ageing.
Restoration and Damage Details	Light wear consistent with age and use, Patina consistent with age and use, Slight scratches
Product Code	RCE-1457782
Materials	Terracotta
Color	Brown
Width	1 cm 0.4 inch
Depth	10 cm 3.9 inch
Height	35 cm 13.8 inch
Duties Notice	Import duty is not included in the prices you see online. You may have to pay import duties upon receipt of your order.

Shipping & Delivery

Ships from	Italy
Duties Notice	Import duty is not included in the prices you see online. You may have to pay import duties upon receipt of your order.
Returns	Returns accepted within two days of delivery, except for Made-to-order items

Sustainability

Carbon Neutral	For every purchase made, Pamono offsets 100% of estimated carbon emissions from global shipping.
Vintage	Choosing vintage and antique furniture reduces your carbon footprint by cutting down on waste and reduces demand for new materials and extends the life of the products we use.

Delivery Details

Delivery will be completed by a parcel service such as UPS, DHL, or FedEx.
You will receive a tracking number to monitor the status of your shipment.
Delivery will take place between 9am and 5pm, Monday to Friday.
A wooden crate may be used for intercontinental shipments for maximum protection.
Item will be left in its packaging after delivery.
A signature will be required upon delivery.

*Important Note

Please examine the packaging upon delivery. In the event that there are visible signs of damaged packaging, please indicate the problem on the Delivery Note, take pictures, and—if the item inside shows damages—contact us within 48 hours of delivery. A signed delivery receipt without notations regarding damaged packaging represents your acceptance of the completed order in perfect condition.

About the Creator

Gio Ponti

Born in Milan in 1891, Giovanni (Gio) Ponti studied architecture at Politecnico. After serving in World War I, he worked as Art Director for respected ceramics company Richard-Ginori. Between 1923 and 1927, he partnered with architects Mino Fiocchi and Emilio Lancia. In 1928, Ponti launched both his own architectural studio and the famed magazine Domus. Through the pages of Domus—and, later, those of Lo Stile, which he founded and edited between 1941 and 1947—Ponti influenced international design taste for over 50 years.

Around 1933, he teamed up with engineers Antonio Fornaroli and Eugenio Soncini to form Studio Ponti-Fornaroli-Soncini, which embraced a decidedly Modernist idiom and lasted until 1945. In 1950, he won the design commission for what became one of the 20^th century’s most iconic buildings: Milan’s 32-story Pirelli Tower (built 1956). In 1952, he partnered with architect Alberto Rosselli (Studio Ponti-Fornaroli-Rosselli); after Rosselli’s death in 1976, Ponti continued to collaborate with longtime partner Fornaroli.

Throughout his career, Ponti juggled numerous roles, including architect, industrial designer, craftsman, professor, painter, editor, and journalist. In addition to his prolific architectural work, Ponti’s design credits are also extensive, ranging from coffee machines (the world’s first, the Pavoni, in 1949) to lighting and furniture for the likes of Cassina, Artemide, and Venini.