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Wenge and Formica Nesting Tables by Cees Braakman for Pastoe, 1970s

  • Wenge and Formica Nesting Tables by Cees Braakman for Pastoe, 1970s 1
  • Wenge and Formica Nesting Tables by Cees Braakman for Pastoe, 1970s 2
  • Wenge and Formica Nesting Tables by Cees Braakman for Pastoe, 1970s 3
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  • Wenge and Formica Nesting Tables by Cees Braakman for Pastoe, 1970s 5
  • Wenge and Formica Nesting Tables by Cees Braakman for Pastoe, 1970s 6
  • Wenge and Formica Nesting Tables by Cees Braakman for Pastoe, 1970s 7
  • Wenge and Formica Nesting Tables by Cees Braakman for Pastoe, 1970s 8
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  • Wenge and Formica Nesting Tables by Cees Braakman for Pastoe, 1970s 10
  • Wenge and Formica Nesting Tables by Cees Braakman for Pastoe, 1970s 11
$678.00
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Only 1 set available

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About This Piece

Vintage Design

- Mid-century nesting table set with wenge veneer/Formica top
- Nice puristic design of perfectly balanced proportions
- Both small tables fit perfectly under the biggest
- They offer quite a large surface when used individually
- The smallest tables are identical
- Can also function as a pair of nightstands
- Symbolic for post-war European design
- they reflect the new era of consumer prosperity during the 50s
Designer Cees Braakman
Maker Pastoe
Design Period 1960 to 1969
Production Period 1960 to 1969, 1970 to 1979
Country of Manufacture Netherlands
Attribution Marks This piece has been attributed based on archival documentation, such as vintage catalogs, designer records, or other literature sources
Style Vintage, Mid-Century, Design Classics, Minimalist, Modernist
Detailed Condition Very Good — This vintage item has no defects, but it may show slight traces of use.
Restoration and Damage Details Light wear consistent with age and use
Product Code XT-366084
Materials Formica, Veneer, Wenge
Color Brown, white
Width 78 cm 30.7 inch
Depth 35 cm 13.6 inch
Height 40 cm 15.7 inch
Duties Notice Import duty is not included in the prices you see online. You may have to pay import duties upon receipt of your order.
* Please note that items made of Rosewood are subject to a special export process that may extend the delivery time an additional 2 to 4 weeks

Shipping & Delivery

Shipping Method Front Door Delivery - 2 to 4 weeks
Ships from Netherlands
Duties Notice Import duty is not included in the prices you see online. You may have to pay import duties upon receipt of your order.
Returns Returns accepted within 14 days of delivery, except for Made-to-order items

Delivery Options

Front Door Delivery:
(Included in Every Order)
  • A skilled driver will unload the item(s) from the delivery truck and bring it to your building’s doorstep. You will be responsible for further transport beyond that point. We recommend asking a family member or friend for an extra hand; alternatively, you may upgrade to In-Home Delivery (see below).
  • The delivery partner will email and/or call you at least one day in advance to arrange a delivery time.
  • A wooden crate may be used for intercontinental shipments for maximum protection.
  • Item will be left in its packaging after delivery.
  • A signature will be required upon delivery.
In-Home Delivery:
(For in-home delivery service, additional fees apply. Please get in touch)
  • A skilled driver or a team of two will bring your item(s) inside your home and place it in the immediate entryway. For unusually large or heavy items, we recommend asking a family member or friend for an extra hand, as we cannot send more than 2 drivers.
  • The delivery partner will email and/or call you one day in advance to arrange a delivery time.
  • A wooden crate may be used for intercontinental shipments for maximum protection.
  • Item will be left in its packaging after delivery.
  • A signature will be required upon delivery.

*Important Note

Please examine every order upon delivery. In the event that there are visible signs of damage or missing or incorrect pieces, please indicate the problem on the Delivery Note and contact us within 48 hours of delivery. A signed delivery receipt without notations of missing, damaged, or incorrect item(s) represents your acceptance of the complete order in perfect condition.

* Please note that items made of Rosewood are subject to a special export process that may extend the delivery time an additional 2 to 4 weeks

About the Designer

Cees Braakman

Dutch designer Cees Braakman was born in Utrecht in 1917. At the age of 17, he began working at Pastoe, a Utrecht-based furniture manufacturer, where he learned the trade. His father, D.L. Braakman (1885-1966), was then the company’s head draftsman and manager. In 1948, following the Second World War (during which time the factory was dismantled), Braakman followed in his father’s footsteps, taking on the role of Pastoe’s manager and designer, where he would remain until 1978.

In 1947, Braakman was sent to the United States to observe other manufacturers’ designs and practices. He was particularly inspired by the Herman Miller Company and by Charles and Ray Eames. Upon his return to the Netherlands, he began experimenting with bent plywood and created Pastoe’s first modern furniture line. He went on to develop several lines of popular furniture, marked by clean, elegant lines and a sense of proportion tailored to smaller living spaces. During the 1950s and ’60s, Braakman placed particular emphasis on modular storage solutions. In 1955, Pastoe launched Braakman’s Made-to-Measure cabinets, which allowed customers to choose from a variety of woods and configurations and self-assemble them. In 1957, the teak version of the Made-to-Measure furniture system earned a silver medal at the 1957 Triennale in Milan. In 1958, Braakman introduced the more formal, similarly clean-lined U+N cabinet series (this collection, in contrast, was not meant to be assembled by the end user). Notably, Braakman’s Mobilo (Model PE03) cart (1953) is included in Amsterdam’s Stedelijk Museum. He passed away in Utrecht in 1995.

About the Maker

Pastoe

Pastoe’s story began in 1913 in Utrecht, when German-Dutch businessman Frits Loeb (1889-1959) decided to produce chairs in a traditional cabinetmaking workshop to sell in his own shop. His atelier—named Utrechtsche Machinale Stoel-en Meubelfabrik (UMS) at the time—quickly grew and in 1917 moved into a large factory facility, manufacturing furniture for a range of retail outlets. In 1918, the factory was moved again to the Rotsoord area in Utrecht, where it is still located today. While the early furniture lines produced by UMS were intended for a general audience, the company—under the direction of designer-manager D. L. Braakman (1885-1966)—was one of the first in the Netherlands to adopt a more austere, minimalist aesthetic expressed in then-novel materials like tubular steel and bent plywood. The Dutch market was slow to respond to these designs, so it was all the more audacious when UMS, in 1947, became dedicated to producing only modernist furniture. To reflect the new mission, the company’s name was changed to Pastoe.

In 1848, Cees Braakman (1917-1995), D. L.’s son, took the helm as designer and director and furthered the company’s modernist aims, advocating for low-cost, modular designs inspired by the likes of Charles & Ray Eames and Alvar Aalto—the latter of which created the first series of Pastoe geometric cabinets at the end of the 1940s. During the 1950s, the company focused on developing flexible cabinet systems that could be assembled by the consumer, which led to the highly customizable, highly successful Made-to-Measure storage system (1955). In 1957, Made-to-Measure furniture was awarded a silver medal at the 11th Trienniale in Milan and crowned with the Le Signe d’Or in Belgium.

Today Pastoe continues to manufacture formally simple, high-quality furniture, including cabinet systems, storage pieces, chairs, and more. Many of Pastoe’s designs have attained an iconic status, such as Cees Braakman’s SMO5 Chair (1958), one of the first stools to be entirely fabricated in steel wire, and Studio Pastoe’s L-Series Cabinet (1979).  Recent collaborations include projects with the late, great Belgian designer Maarten Van Severen, German designer Konstantin Grcic, and rising-star Dutch studio Scholten & Baijings.

Pastoe’s objects have been exhibited in galleries and museums broadly, including the Centre Pompidou in Paris, Museum of Modern Art in New York, Louisiana Museum of Modern Art in Denmark, and the  in Amsterdam.

* All images courtesy of Pastoe 

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