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Wicker and Black Frame Model S32 Dining Chair by Marcel Breuer for Thonet, 1960s

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  • Wicker and Black Frame Model S32 Dining Chair by Marcel Breuer for Thonet, 1960s 1
  • Wicker and Black Frame Model S32 Dining Chair by Marcel Breuer for Thonet, 1960s 2
  • Wicker and Black Frame Model S32 Dining Chair by Marcel Breuer for Thonet, 1960s 3
  • Wicker and Black Frame Model S32 Dining Chair by Marcel Breuer for Thonet, 1960s 4
  • Wicker and Black Frame Model S32 Dining Chair by Marcel Breuer for Thonet, 1960s 5
  • Wicker and Black Frame Model S32 Dining Chair by Marcel Breuer for Thonet, 1960s 6
  • Wicker and Black Frame Model S32 Dining Chair by Marcel Breuer for Thonet, 1960s 7
  • Wicker and Black Frame Model S32 Dining Chair by Marcel Breuer for Thonet, 1960s 8
  • Wicker and Black Frame Model S32 Dining Chair by Marcel Breuer for Thonet, 1960s 9
  • Wicker and Black Frame Model S32 Dining Chair by Marcel Breuer for Thonet, 1960s 10
  • Wicker and Black Frame Model S32 Dining Chair by Marcel Breuer for Thonet, 1960s 11
  • Wicker and Black Frame Model S32 Dining Chair by Marcel Breuer for Thonet, 1960s 12
  • Wicker and Black Frame Model S32 Dining Chair by Marcel Breuer for Thonet, 1960s 13
  • Wicker and Black Frame Model S32 Dining Chair by Marcel Breuer for Thonet, 1960s 14
  • Wicker and Black Frame Model S32 Dining Chair by Marcel Breuer for Thonet, 1960s 15

About This Piece

Vintage Design

Thonet chair. The cane of the backrest is slightly darker than the cane of the seat. The chair shows some traces of wear. Weight 6.5 kg

Click here for full description Close description

* Please note that items made of Rosewood are subject to a special export process that may extend the delivery time an additional 2 to 4 weeks
Creator Marcel Breuer
Manufacturer Thonet
Design Period 1920 to 1949
Year
Production Period 1960 to 1969
Country of Manufacture Germany
Identifying Marks This piece has an attribution mark
Style Bauhaus
Detailed Condition Good — This vintage/antique item may have some wear such as scratches and other signs of ageing.
Restoration and Damage Details
Light wear consistent with age and use, Traces of wear like some scratches and spots on the wood, in particular on the back at the top. The seat has slightly damage of the cane on the seat and in the front where it is connected to the to the wooden frame. The chrome is not shiny and some stains
Product Code BO-667365
Materials Chrome Plating, Wood, Cane
Color Black, brown
Width 55 cm 21.7 inch
Depth 46 cm 17.9 inch
Height 80 cm 31.5 inch
Seat Height 17.3 inch
Duties Notice Import duty is not included in the prices you see online. You may have to pay import duties upon receipt of your order.

Shipping & Delivery

Ships from Netherlands
Duties Notice Import duty is not included in the prices you see online. You may have to pay import duties upon receipt of your order.
Returns Returns accepted within two days of delivery, except for Made-to-order items

Sustainability

Carbon Neutral For every purchase made, Pamono offsets 100% of estimated carbon emissions from global shipping.
Vintage Choosing vintage and antique furniture reduces your carbon footprint by cutting down on waste and reduces demand for new materials and extends the life of the products we use.

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  • The delivery partner will email and/or call you at least one day in advance to arrange a delivery time.
  • A wooden crate may be used for intercontinental shipments for maximum protection.
  • Item will be left in its packaging after delivery.
  • A signature will be required upon delivery.
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  • A skilled driver or a team of two will bring your item(s) inside your home and place it in the immediate entryway. For unusually large or heavy items, we recommend asking a family member or friend for an extra hand, as we cannot send more than 2 drivers.
  • The delivery partner will email and/or call you one day in advance to arrange a delivery time.
  • A wooden crate may be used for intercontinental shipments for maximum protection.
  • Item will be left in its packaging after delivery.
  • A signature will be required upon delivery.

*Important Note

Please examine every order upon delivery. In the event that there are visible signs of damage or missing or incorrect pieces, please indicate the problem on the Delivery Note and contact us within 48 hours of delivery. A signed delivery receipt without notations of missing, damaged, or incorrect item(s) represents your acceptance of the complete order in perfect condition.

About the Creator

Marcel Breuer

Born and raised in Pecs, Hungary, famed modernist architect-designer Marcel Breuer earned a scholarship to study painting and sculpture at Vienna Academy of Fine Art in 1920, but quickly dropped out and applied to the Bauhaus school in Weimar, Germany. After completing his preliminary courses there, he trained at the Bauhaus furniture workshop between 1921 and 1924. He then went on to run the furniture workshop at the new Bauhuas in Dessau, where he created what is cited as the first tubular steel armchair (1925-1926), presented in 1927 as the Type B3 Steel Club Chair (and later renamed the Wassily after Bauhaus teacher Wassily Kandinsky).

After a brief spell in Switzerland Breuer joined former Bauhaus director Walter Gropius in London in 1935. As Breuer’s career progressed, he began to focus more on architectural projects than design. In addition to his tubular steel furniture and plywood pieces for the Isokon company, he was recognized for residences, shop interiors, and multiple competition entries.

In 1937, Breuer and Gropius moved to the US, both teaching for a time at Harvard and briefly partnering in an architectural practice. Together, they designed the Pennsylvania Pavilion for the 1939 New York World’s Fair in addition to multiple private dwellings. Their partnership dissolved in 1941, but the two remained friends. In 1946, Breuer left Harvard and opened an office in New York. Over the course of the rest of his career, Breuer designed over seventy private houses and multiple university and office buildings. Notably, in 1948, the Museum of Modern Art in New York organized a touring exhibition of his work, and the following year, commissioned him to design a house in its garden; both events significantly boosted Breuer's career. In 1953, he designed UNESCO’s headquarters in Paris with Pier Luigi Nervi and Bernard Zehrfulss, and, in 1963, he designed the Whitney Museum of American Art in New York.

Breuer died in New York in 1981.

About the Maker

Thonet

Thonet—the oldest surviving furniture company in the world—began its long life in 1819, when cabinetmaker Michael Thonet (1796-1871) established a furniture workshop in Boppard, Germany. A proponent of the Biedermeier style, he specialized in chairs, tables, and storage pieces characterized by clean lines, reduced ornamentation, and an emphasis on functionalist principles. By the 1830s, Thonet’s experiments in laminated and steam-bent wood furniture, like his famous Boppard Chair (1836), brought international acclaim. Thonet’s designs achieved a combination of lightness, durability, and comfort unknown in European furniture at the time.

A great fan of his work, Prince Metternich of Austria invited Thonet to present his designs to the Viennese court in 1842. Finding so much support there, Thonet opened a new company in Vienna in 1849. In 1853, he transferred his company to his sons, and Gebrüder Thonet was established.

Through the second half of the 19th century, Gebrüder Thonet designs grew increasingly popular with the cultural vanguard, especially among progressive design thinkers and tastemakers. One design in particular, the No. 14 Café Chair (ca. 1859), led the way to international success: the chair’s innovative bending technique was well suited to industrial production, and its rationalized, easily assembled structure allowed for efficient packing and shipping. In 1850, Anna Daum famously outfitted her fashionable Viennese café with No. 14 Chairs, and by the 1870s, Gebrüder Thonet had sales offices across Europe and the US. To date, more than 50 million No. 14 Chairs have been sold worldwide–not counting the untold pirated copies.

Iconic pieces from the traditional Gebrüder Thonet collection include Rocking Chair No. 1 (1860), No. 14 Café Chair (ca. 1859), Adolf Loos’s Café Museum Chair (1899), No. 209 Armchair (ca. 1900), Otto Wagner’s No. 247 Postal Savings Bank Chair (1904), and Josef Hoffmann’s No. 811 (1925). In the early years of the 20th century, Gebrüder Thonet also began producing designs in bent tubular steel by Bauhaus masters like Marcel Breuer, Ludwig Mies van der Rohe, and Mart Stam.

In the aftermath of World War II, Thonet lost all of its production facilities in Eastern Europe, and the sales office at Vienna’s Stephansplatz had been destroyed. Between 1945 and 1953, Georg Thonet, the great-grandson of company founder Michael Thonet, led the rebuilding. Economic success returned quickly. In the ensuing decades, the company commissioned designs from many outstanding designers, such as Verner Panton, Pierre Paulin, Norman Foster, James Irvine, Piero Lissoni, and Stefan Diez. Classic Thonet pieces can be found in museum collections around the world, including the Museum of Modern Art in New York, the Centre Pompidou and Musée d'Orsay in Paris, the Vitra Design Museum in Weil am Rhein, the Pinakothek der Moderne in Munich, the Austrian Museum of Applied Arts in Vienna, and the British Museum and the Victoria & Albert Museum in London.

In 1976 Thonet was divided into two separate German and Austrian companies, which remain independent of each other. Today, Thonet GmbH is headquartered in Frankenberg, Germany and continues to manufacture the original, bentwood and tubular steel designs alongside new pieces by contemporary, international architects and designers. Originally opened in 1861 by Thonet himself, the furniture factory TON (Továrna Ohýbaného Nábytku), which is located in what is known today as the Czech Republic, continues to manufacture Thonet designs. 

* All images courtesy of Thonet.de

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