This detailed antique engraving depicts the old Windsor Bridge, a three-arched crossing over the River Thames linking Windsor in Berkshire with Eton in Buckinghamshire. The bridge was a vital crossing point in the early 19th century, carrying both pedestrians and traffic across the river. In this composition, the bridge is shown with a horse-drawn cart and several figures making their way across, while activity on the water and along the riverbanks brings additional life to the scene. In the foreground, a barge with a furled sail moves slowly beneath the bridge, manned by boatmen engaged in their work. To the right, figures in brightly colored dress gather by the riverbank, one leaning on a pole near the water’s edge while others attend to daily activities. The houses and riverside buildings frame the view, adding to the sense of a bustling riverside townscape. The whole scene is animated by the interplay of people, architecture, and the flowing Thames, presenting Windsor as both a place of commerce and community.
The drawing is by William Tombleson (1795–1846), a leading English topographical draughtsman whose series Views of the Thames and Medway (published between 1832 and 1834) was highly admired for its combination of accuracy and artistic style. The engraving was executed by Charles Mottram, an accomplished engraver who brought out the fine architectural details of the bridge as well as the textures of water and sky. Published in London by Tombleson & Co. at 11 Paternoster Row, the print was also circulated internationally, with the title given in English (Windsor Bridge), French (Pont de Windsor), and German (Windsor Brücke), underscoring the wide appeal of the series. The ornate decorative border, typical of the series, frames the central image with allegorical figures, drapery, and scrollwork, elevating the engraving into a work of art as much as a topographical record. Subtle hand-coloring enhances the clothing of the figures, the river traffic, and the foliage, giving depth and vibrancy to the composition without diminishing the precision of the engraved lines. For collectors, this engraving holds both artistic and historical significance. It provides a valuable record of Windsor’s historic river crossing before later changes and captures a quintessentially English riverside scene. It is a fine example of early 19th-century decorative topographical art and particularly appealing for those with interests in Windsor, the Thames, or architectural history.
Condition report: Very good condition with clear plate impression and bright paper. Light marginal toning consistent with age, but image area remains crisp and clean. Plate mark visible.
Technique: Engraving with original hand-coloring Maker: William Tombleson (artist), Charles Mottram (engraver), London, c.1832–1834
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