Guadalupe Bowl F by Bethan Laura Wood for Bitossi, 2016

Born in 1983, British designer Bethan Laura Wood studied Three-Dimensional Design at the University of Brighton, graduating with honors in 2006. She continued on to the Royal College of Art, where she studied Product Design under Jürgen Bey and Martino Gamper, graduating with a master’s degree in 2009.

While still a student, Wood began her own practice, called WOOD London. She creates a range of objects ranging from , furniture , and lighting  to large-scale interventions and collaborations, often producing pieces in cooperation with local artisans. Her work is characterized by the re-contextualization of elements from everyday objects, often focusing on the pattern and coloration of objects as indicators of their origins, production, and past usage.

Notable projects include the glass lighting collection Totem (2011), the particleboard jewelry series Particle, and the Moon Rock tables (2011), which are put together like a jigsaw puzzle and inlaid with laser-cut plastic laminate pieces. Wood's constant sources of inspiration are the city she lives in and her fascination with the emotional impact created by layering varying shapes, colors, and textures.

A descendant from a long, long line of Tuscan ceramic manufacturers, Guido Bitossi established his own ceramic craft works near Florence, in Montelupo, in 1921. Originally named Manifattura Ceramica Cav. Guido Bitossi & Figli (Ceramaic Manufactory Guido Bitossi & Sons), the company name was later shortened to Bitossi Ceramiche.

After World War II, master ceramist Aldo Londi (1911-2003) became the creative director of Bitossi Ceramiche, a position he held for more than fifty years. Londi—who was also from Montelupo—began apprenticing in ceramics at the age of eleven and brought to Bitossi a deep expertise in traditional ceramics production. He’s best known for his 1950s-era collection Rimini Blu (1955-1965). This iconic midcentury modern series contains over 150 designs, including bowls, vases, jugs and animal figurines, all glazed in a vibrant blue hue and embossed with abstract motifs and shapes. Londi created the first piece glazed in Persiano Blue, Ball Vase, in 1955. Shortly after in 1959, he began to create more pieces in the proprietary chromatic glaze. The collection holds historical importance because it helped to bring handcrafted and expressive works into the modernist design conversation in Italy. Though the blue was not the only color Bitossi favored, it has become closely associated with the brand’s identity. The collection is still in production today and widely collected by ceramics enthusiasts.

Londi and Bitossi had a very successful collaboration with legendary architect-designer Ettore Sottsass (1917-2007). As a part of the 1960s counter-culture, Sottsass thought design should be provocative and sensual. Sottsass’s avant-garde style blended well with Bitossi’s midcentury modern aesthetic and generated a number of highly collectible designs. Other Bitossi collaborators include designers Piero Fornasetti (1913-1988), Karim Rashid, Arik Levy, Fabio Novembre, Benjamin Hubert, Matteo Thun, Monica Förster, and Cédric Ragot.

Now considered to be an institution in Italian ceramics, the Bitossi family and Vittoriano Bitossi Foundation have amassed an archive of over 7,000 historical documents and materials in relation to their ceramic production. The collection is housed in the Bitossi Artistic Industrial Museum, which in 2011 became a member of the Italian Association of Enterprise Archives and Museums. In 2014, Bitossi Ceramiche became an official member of the Registry of Italian Historical Companies, appointed by the National Union of Chambers of Commerce.

* All images courtesy of Bitossi Ceramiche