Mid-Century Copper Outdoor Wall Sconce in the style of Gunnar Asplund, 1950s

About This Piece

Vintage Design

Outdoors wall light in naturally patinated/weathered copper and featuring a hand-blown freely resting shade in amber orange blister glass. It was made in Scandinavia during the 1950s or 60s possibly by ASEA/Gunnar Asplund. This style is definitely very much in line with his designs. Measurements: H: 35 cm, Dept: 30 cm, Diameter: 26 cm (shade). Well-kept and intact vintage condition. Working order.

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* The cable of this item may be original and might need replacement, if not specified otherwise.

Creator	Gunnar Asplund
Design Period	1950 to 1959
Production Period	1950 to 1959
Style	Mid-Century, Scandinavian Modern
Detailed Condition	Good — This vintage/antique item may have some wear such as scratches and other signs of ageing.
	The vendor has confirmed this piece is in working order.
Restoration and Damage Details	Light wear consistent with age and use, Patina consistent with age and use, Wellkept and intact vintage condition. Working order.
Plug Type	European Plug (up to 250V)
Product Code	LCR-1402714
Materials	Copper, Glass
Color	Olive
Depth	30 cm 11.8 inch
Height	35 cm 13.8 inch
Diameter	10.2 inch
Duties Notice	Import duty is not included in the prices you see online. You may have to pay import duties upon receipt of your order.

Shipping & Delivery

Ships from	Denmark
Duties Notice	Import duty is not included in the prices you see online. You may have to pay import duties upon receipt of your order.
Returns	Returns accepted within two days of delivery, except for Made-to-order items

Sustainability

Carbon Neutral	For every purchase made, Pamono offsets 100% of estimated carbon emissions from global shipping.
Vintage	Choosing vintage and antique furniture reduces your carbon footprint by cutting down on waste and reduces demand for new materials and extends the life of the products we use.

Delivery Details

Delivery will be completed by a parcel service such as UPS, DHL, or FedEx.
You will receive a tracking number to monitor the status of your shipment.
Delivery will take place between 9am and 5pm, Monday to Friday.
A wooden crate may be used for intercontinental shipments for maximum protection.
Item will be left in its packaging after delivery.
A signature will be required upon delivery.

*Important Note

Please examine the packaging upon delivery. In the event that there are visible signs of damaged packaging, please indicate the problem on the Delivery Note, take pictures, and—if the item inside shows damages—contact us within 48 hours of delivery. A signed delivery receipt without notations regarding damaged packaging represents your acceptance of the completed order in perfect condition.

About the Creator

Gunnar Asplund

Born in Stockholm in 1885, architect-designer Erik "Gunnar" Asplund is celebrated as the godfather of functionalist design in Sweden.

After studying painting at Stockholm’s Royal University College of Fine Arts (1905-09), Asplund’s avid interest in architecture led him to attend the Stockholm Free Architecture School and to open his own practice. His early architectural works represented a pared-down neoclassical style, which was inspired by several class trips to Greece and Italy (1912-14). Exemplary of the romantic, Swedish Grace movement, his Scandia Cinema (1922-1923) and Stockholm City Library (1924-1928) emphasize geometric simplicity and clarity of form. Asplund’s Senna Chair (1915) was specifically designed for the library.

It wasn’t until the last decade of his life that Asplund became a major proponent for the functionalist style, when he was appointed Chief Architect of the watershed 1930 Stockholm Exhibition, organized by the Swedish Society for Arts & Crafts and credited with introducing modernism to Swedish society. Asplund’s contributions to the fair, including his Paradise Café and Entry Pavilion, presented a machine aesthetic couched in socially democratic ideals and optimism about the future.

Other designs in Asplund’s repertoire include the Villa Sturegarden in Nykoping (1913), the Gothenburg Courthouse Extension (1913-37)—which aptly shows his transformation from neoclassical to functionalist architecture—and the Skogskyrkogården Woodland Cemetery in Stockholm (1915-1940, with architect Sigurd Lewerentz). The latter was declared a UNESCO World Cultural Heritage site in 1944. His best known furniture designs include the tubular steel Karmstol Side Chair for Nordiska Kompaniet (1931); GA-2 Armchair for Nordiska Kompaniet (1931)—later for Källemo—and the Gotebor Chair designed 1934-37 and produced by Cassina from 1983.

Following the success of the Stockholm Exhibition, Asplund became a professor of architecture at his alma mater. He passed away in 1940. Asplund’s life and work served as inspiration to a number of Scandinavian design luminaries, such as lifelong friend and mentee Alvar Aalto, as well as Erik Bryggman and Arne Jacobsen.