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Sofa Table by Stig Lindberg & David Rosén for NK, 1950s

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  • Sofa Table by Stig Lindberg & David Rosén for NK, 1950s 1
  • Sofa Table by Stig Lindberg & David Rosén for NK, 1950s 2
  • Sofa Table by Stig Lindberg & David Rosén for NK, 1950s 3
  • Sofa Table by Stig Lindberg & David Rosén for NK, 1950s 4
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  • Sofa Table by Stig Lindberg & David Rosén for NK, 1950s 8
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  • Sofa Table by Stig Lindberg & David Rosén for NK, 1950s 10
  • Sofa Table by Stig Lindberg & David Rosén for NK, 1950s 11
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About This Piece

Vintage Design

Sofa/occasional table designed by David Rosén and produced by Nordiska Kompaniet, NK. Made from solid oak with brass details and enamel surface designed by Stig Lindberg. The enamel plate was produced by Gustavsberg in their bathtub factory. Signed Stig L.-59. Very good vintage condition with few signs of age-related wear and patina. Designer: Stig Lindberg & David Rosén Manufacturer: Gustavsberg & Nordiska Kompaniet, NK Year: 1959 Condition: Very good Dimensions: W. 123 D. 54.5 H. 48 cm.

Click here for full description Close description

* Please note that items made of Rosewood are subject to a special export process that may extend the delivery time an additional 2 to 4 weeks
Creator Stig Lindberg, David Rosén
Manufacturer Nordiska Kompaniet
Design Period 1950 to 1959
Production Period 1950 to 1959
Identifying Marks This piece has been attributed based on archival documentation, such as vintage catalogs, designer records, or other literature sources
Style Vintage, Mid-Century, Scandinavian Modern
Detailed Condition Very Good — This vintage/antique item has no defects, but it may show slight traces of use.
Restoration and Damage Details
Light wear consistent with age and use, Patina consistent with age and use
Product Code KO-664343
Materials Brass, Enamel, Oak
Color Blue, brown
Width 123 cm 48.4 inch
Depth 55 cm 21.5 inch
Height 55 cm 21.5 inch
Weight Range Standard — Between 40kg and 80kg
Duties Notice Import duty is not included in the prices you see online. You may have to pay import duties upon receipt of your order.

Shipping & Delivery

Ships from Sweden
Duties Notice Import duty is not included in the prices you see online. You may have to pay import duties upon receipt of your order.
Returns Returns accepted within two days of delivery, except for Made-to-order items

Sustainability

Carbon Neutral For every purchase made, Pamono offsets 100% of estimated carbon emissions from global shipping.
Vintage Choosing vintage and antique furniture reduces your carbon footprint by cutting down on waste and reduces demand for new materials and extends the life of the products we use.

Delivery Options

Front Door Delivery:
(Included in Every Order)
  • A skilled driver will unload the item(s) from the delivery truck and bring it to your building’s doorstep. You will be responsible for further transport beyond that point. We recommend asking a family member or friend for an extra hand; alternatively, you may upgrade to In-Home Delivery (see below).
  • The delivery partner will email and/or call you at least one day in advance to arrange a delivery time.
  • A wooden crate may be used for intercontinental shipments for maximum protection.
  • Item will be left in its packaging after delivery.
  • A signature will be required upon delivery.
In-Home Delivery:
(For in-home delivery service, additional fees apply. Please get in touch)
  • A skilled driver or a team of two will bring your item(s) inside your home and place it in the immediate entryway. For unusually large or heavy items, we recommend asking a family member or friend for an extra hand, as we cannot send more than 2 drivers.
  • The delivery partner will email and/or call you one day in advance to arrange a delivery time.
  • A wooden crate may be used for intercontinental shipments for maximum protection.
  • Item will be left in its packaging after delivery.
  • A signature will be required upon delivery.

*Important Note

Please examine every order upon delivery. In the event that there are visible signs of damage or missing or incorrect pieces, please indicate the problem on the Delivery Note and contact us within 48 hours of delivery. A signed delivery receipt without notations of missing, damaged, or incorrect item(s) represents your acceptance of the complete order in perfect condition.

About the Designers

Stig Lindberg

Swedish designer, ceramist, illustrator, and painter Stig Lindberg (1916-1982) was one of his country’s most prominent creatives from the late-1930s through the 1970s, a time often considered to be the “golden age” of Scandinavian design. He graduated from Stockholm’s University College of Art, Crafts & Design (now known as Konstfack) in 1937. Shortly after, he joined Gustavsberg ceramics manufactory, located just outside Stockholm, as a faience painter under the tutelage of then creative director, Wilhelm Kåge. These two masters of applied arts worked closely together, until Kåge retired and Lindberg succeeded him in 1949. During the 1950s and ‘60s, Lindberg was highly prolific for Gustavsberg, and his signature collections in stoneware, faience, and porcelain—including Pungo (1953), Spisa Ribb (1955), Domino (1955), Terma (1955), and Berså (1960-74)—were among the company’s most popular.

As a jack-of-all-trades, Lindberg was interested in various design fields, including industrial design, textile design, painting, and glassblowing. In 1947, he began collaborating with Astrid Sampe, head textile designer at the NK Department Store in Stockholm. The pair designed playful and surrealist textile prints that have become icons of the Swedish modern movement, including Melodi (1947), Friktlåda (1947), Pottery (1947), and Lustgården (1954).

In 1957, Lindberg began a professorship in ceramics at his alma mater, where he mentored famous glass artists, Bertil and Ulrica Hydman-Vallien. In 1959, he designed the Lumavision LT 104 swivel-screen television, followed by a transistor radio in 1962, both for Luma. He is also known for his whimsical illustrations for a series of children’s books authored by Lennart Hellsing.

Lindberg worked with Gustavsberg until 1980, and many of his tableware  services, vases , bowls , and other decorative objects  are still in production today. With an approach imbued with humor and originality, Lindberg is considered one of Sweden’s most important designers from the postwar era. He was the recipient of numerous awards in his lifetime, such as Triennale de Milano Grand Prix in 1951 and 1954. His collections can be found in museums worldwide, including the Nationalmuseum in Stockholm and the Röhsska Museum in Gothenburg.

Lindberg passed away in 1982. 

David Rosén

Although obscured by negligible biographical records, Swedish furniture designer David Rosén—born, allegedly, in 1910—can be professionally traced by his midcentury involvement with esteemed department store and modernist furniture manufacturer, Nordiska Kompaniet (NK). Particularly prolific in the 1950s, Rosén produced a variety of casegoods, tables, and chairs, often brass-framed and constructed—as was the Scandinavian modernist m.o.—with fine wood, using some combination of beech, teak, and mahogany. His most famous series for the company was Futura, developed in 1949; across his NK tenure, he often collaborated with other intra-firm talents, including Stig Lindberg. He passed away in 1993. 

About the Maker

Nordiska Kompaniet

Stirred by the eye-catching grandeur and service possibilities of early-century Parisian and Londoner high-end shopping, Swedish businessmen Josef Sachs (1872-1949) and Karl M. Lundberg established Nordiska Kompaniet in 1902, laying the foundation for what would become Scandinavia’s first and, in time, most influential entry into the realm of luxury retail.

In 1915—after a twelve-year jaunt in a repurposed space at Stureplan Plaza and following Lundberg’s departure from the company—Sachs began construction of an entirely new and substantially more opulent store on Stockholm’s major Hamngatan corridor. The building was designed by one of the country’s leading architects at the time, Ferdinand Boberg (1860-1946), of Stockholm’s Rosenbad and Central Post Office fame. Nordiska Kompaniet emerged as Stockholm’s premier department store: modern and multi-tiered, centrally located, offering a lavish smorgasbord of services and Nordic-inspired merchandise capable of enticing the region’s most elite clientele. 

Beyond jewelry, fashion, cosmetics, food, Sweden’s first escalator, and endless panoramas of mahogany (which, noteworthy upon its opening, lined most of its interior), Nordiska Kompaniet Hamngatan offered shoppers its own line of custom-made furnishings crafted in workshops in Nyköping (est. 1904). The design aesthetic reflected the general ethos of the company: high quality production, pared-down lines with touches of genteel elegance, and, above all, an air of exclusivity.

As the century progressed, the in-house design and production wing of the Nordiska Kompaniet operation attracted some of Scandinavia’s most salient design innovators. Swedish architect-designer Axel Einar Hjorth headed up Nordiska Kompaniet’s furniture and interiors department between 1927 and 1938, a clout-expanding time for the company on the international stage. He directed Nordiska Kompaniet’s showcases at a number of important industry exhibitions, such as the 1929 World Fair in Barcelona, the 1930 Stockholm Exhibition, and the 1933 World Fair in Chicago. Along the way, Hjorth garnered acclaim for his often pine-crafted interiors designed for a range of prestigious public and private clients, including Stockholm’s Gunnar Asplund-designed city library and a train carriage for the Shah of Persia. During Hjorth’s tenure, Nordiska Kompaniet commissioned iconic work from Asplund—namely, his tubular steel Karmstol Side Chair and GA-2 Armchair (both 1931)—as well as esteemed Swedish architect-designer Carl Malmsten, who created furnishings for Stockholm’s Concert Hall (1928), the House of the League of Nations in Geneva (1934), and more.

While bespoke interior design in public spaces remained Nordiska Kompaniet’s main focus in the midcentury—especially in 1950s, when Nordiska Kompaniet furniture filled Swedish banks, hotels, embassies, steamers, and restaurants—this era also saw the rise of the company’s furniture designs for serial production. Of particular note is the Trivaserie (alternatively, Triva-Bygg), designed by Elias Svedberg and launched in Malmö in 1944, which featured standard furniture items distributed in flat packages to be constructed by consumers themselves at home (one of the first instances of the knock-down furniture later made famous by fellow Swedish heavyweight Ikea).

Under designer Lena Larsson’s direction from 1947-1965, the Trivaserie line was subsumed into Nordiska Kompaniet’s experimental NK-bo (NK “Living”) label. During these years, the Triva series moved beyond knock-down furniture and expanded to include designs like Kerstin Hörlin-Holmquist Paradiset Sofa (ca. 1958) and Yngvar Sandström’s Tokyo Bench (ca. 1964). Other notable midcentury Nordiska Kompaniet designs include the Annette Dressing Table (1943) and Trienna Chair (1957) by prominent architect, interior and industrial designer Carl-Axel Acking. 

Aided by the consumer influence of the department store, which gave the space and context to present single products not just exclusively, but also within full room settings, Nordiska Kompaniet enjoyed decades of manufacturing success before declining profitability forced the closure of their Nyköping workshop in 1973 and turned their focus to trade. Today, the company is still renowned as a high-brow supplier of goods and services, operating from two outlets: the original NK on Hamngatan, and another in Gothenburg (est. 1971).

 

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