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Spotlights by Angelo Lelli for Arteluce & Arredoluce, 1940s, Set of 7

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  • Spotlights by Angelo Lelli for Arteluce & Arredoluce, 1940s, Set of 7 1
  • Spotlights by Angelo Lelli for Arteluce & Arredoluce, 1940s, Set of 7 2
  • Spotlights by Angelo Lelli for Arteluce & Arredoluce, 1940s, Set of 7 3
  • Spotlights by Angelo Lelli for Arteluce & Arredoluce, 1940s, Set of 7 4

About This Piece

Vintage Design

The spotlights are attributed to Gino Sarfatti and Angelo Lelii.
The green spotlight is published in the Sarfatti catalogue.

Click here for full description Close description

* The cable of this item may be original and might need replacement, if not specified otherwise.

* Please note that items made of Rosewood are subject to a special export process that may extend the delivery time an additional 2 to 4 weeks
Creator Gino Sarfatti, Angelo Lelli
Manufacturer Arteluce
Design Period 1920 to 1949
Year 1940
Production Period 1940 to 1949
Country of Manufacture Italy
Identifying Marks This piece has been attributed based on archival documentation, such as vintage catalogs, designer records, or other literature sources
Style Mid-Century
Detailed Condition Very Good — This vintage/antique item has no defects, but it may show slight traces of use.
The vendor has confirmed this piece is in working order.
Restoration and Damage Details
Light wear consistent with age and use, Surface has been polished, Surface has been refinished, Minor wear
Plug Type European Plug (up to 250V)
Product Code EI-900134
Materials Aluminum, Brass
Color Pink
Width 13 cm 5.1 inch
Height 8 cm 3.1 inch
Diameter 3.5 inch
Duties Notice Import duty is not included in the prices you see online. You may have to pay import duties upon receipt of your order.

Shipping & Delivery

Ships from Italy
Duties Notice Import duty is not included in the prices you see online. You may have to pay import duties upon receipt of your order.
Returns Returns accepted within two days of delivery, except for Made-to-order items

Sustainability

Carbon Neutral For every purchase made, Pamono offsets 100% of estimated carbon emissions from global shipping.
Vintage Choosing vintage and antique furniture reduces your carbon footprint by cutting down on waste and reduces demand for new materials and extends the life of the products we use.

Delivery Details

  • Delivery will be completed by a parcel service such as UPS, DHL, or FedEx.
  • You will receive a tracking number to monitor the status of your shipment.
  • Delivery will take place between 9am and 5pm, Monday to Friday.
  • A wooden crate may be used for intercontinental shipments for maximum protection.
  • Item will be left in its packaging after delivery.
  • A signature will be required upon delivery.

*Important Note

Please examine the packaging upon delivery. In the event that there are visible signs of damaged packaging, please indicate the problem on the Delivery Note, take pictures, and—if the item inside shows damages—contact us within 48 hours of delivery. A signed delivery receipt without notations regarding damaged packaging represents your acceptance of the completed order in perfect condition.

About the Designers

Gino Sarfatti

Born in Venice in 1912, Gino Sarfatti studied aero-naval engineering at the University of Genoa. In 1939, he launched Arteluce, a modern lighting design firm that quickly established itself as a successful international brand, as well as a meeting place for many of the leading Italian designers of the time.

Over the course of his career, Sarfatti designed over 400 lamps, dedicating himself throughout to technical, material, and production research and experimentation. In the mid 1950s, he began to work with Plexiglas, and in the early ’70s, he pioneered the incorporation of halogen bulbs into fixtures. Notable designs include the 1958 Sarfatti pendant lamp.

Sarfatti and Arteluce won several awards, including the Compasso d’Oro in 1954 and 1955. Flos acquired Arteluce in 1973, before Sarfatti died in Gravedona in 1985.

Angelo Lelli

Italian designer-entrepreneur Angelo Lelli—also spelled “Lelii,” as indicated by in a surviving signature—founded the innovative lighting company Arredoluce in Manza, Italy, in the years surrounding World War II. Little biographical information on Lelli has survived, but some sources indicate he lived from 1911 to 1979. He was, nevertheless, an active and influential participant in the postwar Italian design boom and is regarded today to be a key protagonist of modernist-era lighting design, on par with his most successful contemporaries like Gino Sarfatti of Arteluce and Giuseppe Ostuni of Oluce.

According to many sources, Lelli began designing lamps in his basement before the war and caught his first big break in 1946 when his first three designs were featured in the pages of a Domus publication. The magazine—which was originally founded by design icon Gio Ponti and was, at that time, under the direction of Italian architect Ernesto Nathan Rogers—promoted pioneering designers and architects in Italy who were embracing the new functionalist trend.

By the following year, Lelli had founded Arredoluce (though some sources say the company already existed in 1939). As the company’s director and in-house designer, Lelli was instrumental in propelling Italian design to international prominence. Through Arredoluce, Lelli was responsible for the production of hundreds of artful lighting collections that have become highly sought-after on the vintage market.

Arredoluce’s vanguard collections ranged from table and floor lamps to sconces and chandeliers, developed in collaboration with design luminaries like Franco Albini, Achille and Pier Castiglioni, Vico Magistretti, Gio Ponti, Ettore Sottsass, Mario Tedeschi, and Nanda Vigo. The company’s modernist sensibilities were expressed in minimalist forms that took advantage of new technologies, often featuring articulated arms and directional shades.

Lelli’s most iconic design for Arredoluce is the three-armed Model 12128 "Triennale" Floor Lamp, the design date of which is cited by most Italian sources at 1947, while others place it later circa 1951-53. The name is most certainly drawn from the attention it garnered in an early postwar Triennale exhibition. Notably, this particular design was also manufactured in the US by Richards-Morgenthau for Raymor Corporation.

Other standouts from Lelli include the Tris Floor Lamp (ca. 1946), Stella Ceiling Light (ca. 1950), Cobra Table Lamp (ca. 1962-64), and President Lamp (ca. 1970), as well as a range of low voltage, high intensity “eye-ball” shaped spotlights in the 1960s.

Arredoluce produced lighting until its closure in 1979.

About the Maker

Arteluce

Italian lighting design company Arteluce was established in 1939 by the young Venetian designer-entrepreneur Gino Sarfatti. Political upheaval at the time forced Sarfatti to abandon his aeronautical engineering degree in Genoa and move with his family to Milan. There, despite a lack of formal design training, Sarfatti embarked on a lighting career. Yet it is arguably because he was wholly self-taught that Sarfatti immersed himself in the full lifecycle of the design process, from conception to production, collaborating with artisans and architects to create stronger, lighter, and cheaper modernist lamps than Italy has seen before.

During the Second World War, Sarfatti fled to Switzerland, returning to Milan after the war to restart his company. In 1951, Arteluce’s first retail outlet opened on the bustling Corso Vittorio in central Milan (now named Corso Matteotti). The shop was re-designed by Marco Zanuso in 1953. Arteluce's second outlet, located on the glamorous Via della Spiga, was designed by Sarfatti's lifelong friend and fellow lighting designer Vittoriano Viganò in 1961.
 
Arteluce quickly established itself as a successful and visionary lighting brand thanks to Sarfatti’s commitment to technical, material, and production research. He designed over 400 lamps in his lifetime (though some sources say it was as many as 700), which are celebrated for their minimalist yet expressive aesthetic and experimental materials. In the mid-1950s, he began to work with Plexiglas, and, in the early 1970s, he pioneered the use of halogen bulbs into fixtures. Sarfatti also dedicated himself to improving every single element of a light fitting, from the switch to the wiring and the reflectors. The ultra-minimal Model 1063 (1954) would influence Italian floor lamp design for years to come. It was awarded the prestigious “Grand Prix” at the Milan Triennale and is known as the most eloquent example of Sarfatti's purist vision of beauty in everyday objects. In the same year, Arteluce was awarded the ADI Compasso d’Oro for the Model 559 and again the following year for the Model 1055.
 
In the 1960s, Arteluce became a creative hub for Italy’s most talented designers, producing designs by major talents, such as Franco Albini, Cini Boeri, Franca Helg, Ico Parisi, and Massimo Vignelli. The lighting installation for the Teatro Regio opera house in Turin—one of Arteluce's last projects, which comprised hundreds of pendant plexiglas tubes installed under the direction of legendary architect Carlo Mollino in 1972—is considered one of the company's greatest achievements.

In 1973, Sarfatti sold his business to Flos and retired to Lake Como. Many Arteluce creations are still in production today, and several original models are housed permanently in important museums like MoMA in New York. Somewhat forgotten after merging with Flos, Sarfatti’s designs are experiencing a renaissance amongst vintage collectors following the first retrospective exhibition of his work at the Triennale Design Museum in Milan in 2012.

* Images courtesy of Flos

Price: $2,396 Regular Price: $3,362
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