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Swedish Modern Armchair in Pine Attributed to Axel Einar Hjorth for Åby

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  • Swedish Modern Armchair in Pine Attributed to Axel Einar Hjorth for Åby 1
  • Swedish Modern Armchair in Pine Attributed to Axel Einar Hjorth for Åby 2
  • Swedish Modern Armchair in Pine Attributed to Axel Einar Hjorth for Åby 3
  • Swedish Modern Armchair in Pine Attributed to Axel Einar Hjorth for Åby 4
  • Swedish Modern Armchair in Pine Attributed to Axel Einar Hjorth for Åby 5
  • Swedish Modern Armchair in Pine Attributed to Axel Einar Hjorth for Åby 6
  • Swedish Modern Armchair in Pine Attributed to Axel Einar Hjorth for Åby 7
  • Swedish Modern Armchair in Pine Attributed to Axel Einar Hjorth for Åby 8
  • Swedish Modern Armchair in Pine Attributed to Axel Einar Hjorth for Åby 9
  • Swedish Modern Armchair in Pine Attributed to Axel Einar Hjorth for Åby 10
  • Swedish Modern Armchair in Pine Attributed to Axel Einar Hjorth for Åby 11
  • Swedish Modern Armchair in Pine Attributed to Axel Einar Hjorth for Åby 12
  • Swedish Modern Armchair in Pine Attributed to Axel Einar Hjorth for Åby 13
  • Swedish Modern Armchair in Pine Attributed to Axel Einar Hjorth for Åby 14
  • Swedish Modern Armchair in Pine Attributed to Axel Einar Hjorth for Åby 15

About This Piece

Vintage Design

Decorative Armchair / lounge chair in pine and forged iron. Made at Åby Furniture, attributed to Axel Einar Hjorth. Made in 1940s.
Reupholstered seat cushion in luxury Bouclé, Storr 1501 (Eggshell) from BUTE fabric.

Great lines, perfectly suited for any interior style. A Modern, Scandinavian, Classic or an Art deco home decor.

A great object for the modern interior. A warm colour and patina that pair well with the minimalist Scandinavian lifestyle. Scandinavian design is characterized by a minimal, clean approach that seeks to combine functionality with beauty. Its focus is on simple lines and light spaces.

Click here for full description Close description

* Please note that items made of Rosewood are subject to a special export process that may extend the delivery time an additional 2 to 4 weeks
Creator Axel Einar Hjorth
Design Period 1920 to 1949
Production Period 1940 to 1949
Identifying Marks This piece has been attributed based on archival documentation, such as vintage catalogs, designer records, or other literature sources
Style Danish Design, Vintage, Mid-Century, Scandinavian Modern, Antique, Design Classics, Brutalist, Rustic
Detailed Condition Good — This vintage/antique item may have some wear such as scratches and other signs of ageing.
Restoration and Damage Details
Light wear consistent with age and use, Patina consistent with age and use
Product Code MXF-1104325
Materials Pine
Color Orange
Width 72 cm 28.3 inch
Depth 67 cm 26.4 inch
Height 78 cm 30.7 inch
Seat Height 13.0 inch
Duties Notice Import duty is not included in the prices you see online. You may have to pay import duties upon receipt of your order.

Shipping & Delivery

Ships from Denmark
Duties Notice Import duty is not included in the prices you see online. You may have to pay import duties upon receipt of your order.
Returns Returns accepted within two days of delivery, except for Made-to-order items

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  • The delivery partner will email and/or call you at least one day in advance to arrange a delivery time.
  • A wooden crate may be used for intercontinental shipments for maximum protection.
  • Item will be left in its packaging after delivery.
  • A signature will be required upon delivery.
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  • A skilled driver or a team of two will bring your item(s) inside your home and place it in the immediate entryway. For unusually large or heavy items, we recommend asking a family member or friend for an extra hand, as we cannot send more than 2 drivers.
  • The delivery partner will email and/or call you one day in advance to arrange a delivery time.
  • A wooden crate may be used for intercontinental shipments for maximum protection.
  • Item will be left in its packaging after delivery.
  • A signature will be required upon delivery.

*Important Note

Please examine every order upon delivery. In the event that there are visible signs of damage or missing or incorrect pieces, please indicate the problem on the Delivery Note and contact us within 48 hours of delivery. A signed delivery receipt without notations of missing, damaged, or incorrect item(s) represents your acceptance of the complete order in perfect condition.

About the Creator

Axel Einar Hjorth

Swedish architect and industrial designer Axel Einar Hjorth (1888-1959) was a major contributor to the burgeoning Swedish design culture that began to be recognized internationally in the 1920s. He was also instrumental in introducing Swedish decorative arts and architecture to the United States.

Axel Einar Hjorth was born in 1888 in Krokek outside Norrköping, Sweden. In 1908, Hjorth relocated to Stockholm to study architecture and design at Högre Konstindustriella Skolan, which was later known as Konstfack. After the death of his foster-father who came into Hjorth's life at the age of twelve, he discontinued his studies. Although Hjorth never graduated, his education was enough to acquire a position designing furniture and interiors for Stads Hantverks Förening for the city of Stockholm in 1918. Hjorth’s designs from this period were inspired by neo-classism, often referred to as Swedish Grace.

Throughout the 1920s, Hjorth worked with various manufacturers including H. Joop & co, Myrstedt & Stern, Jonssons, and Svenska Möbelfabrikerna in Bodafors. Notably, in 1923 Hjorth was the head of the assembly section of the Jubileumsutställningen (Jubilee Exhibition) in Gothenburg—an exhibition which, the British critic P. Morton Shand characterized as the beginning of Swedish dominance in the decorative arts. Wishing to spread Swedish design further around the world, Hjorth, together with his contemporaries, Carl Hörvik (1882-1954) and Carl Malmsten (1888-1972), represented Stockholm at the exhibition of contemporary Swedish Decorative Arts at the Metropolitan Museum in New York 1927. This exhibition was instrumental in introducing Swedish decorative arts to America.

From 1927 until 1938, Hjorth was the chief architect and designer at the department store Nordiska Kompaniet (NK) in Stockholm—which was known as one of the most important producers of modernist furniture in Sweden. During this time, Hjorth designed both public and private interiors, and worked with international clients including Iranian royalty. His first project for NK was a stand for the World Fair in Barcelona in 1929, during which he exhibited the Louis Cabinet and Caesar Cabinet. In the 1930s, Hjorth designed furniture out of pine meant for serial production for the summer houses he designed. These (usually unlabeled) pieces mixed handicraft with international modernism, and were named for Stockholm's archipelago islands including Blidö, Sandhamn, Toro and Lovö.

Hjorth's designs—from the luxuriousness of neo-classicism to the severity of functionalism—are sharply distinct in style, materials, and character. Unike many of his contemporaries however, Hjoth did not conform to the socially-oriented ideas produced by Svensk Form (the Swedish Society of Crafts and Design). He often incorporated playful ornamentation from different historical periods from which he was inspired, such as French Art Deco—using mixed exotic woods, bright colors, and textiles. Often omitted from historical discourse on early-20th century Scadninavian design, Hjorth has become a rather unknown entity in the design world and his achievement are under-appreciated. The lack of published or archived works contributes to his anonymity and obscurity. Although Hjorth did not follow the design narrative of the era, he certainly played a significant role in the development of Sweden’s international design reputation, his style eventually absorbed into design characteristics of modernism in Sweden.

Over the course of his career, Hjorth exhibited his works at many international exhibitions including the Stockholm Exhibition in 1930, the exhibition at the Dorland House in London in 1931, and the World Fairs in Chicago (1933), Brussels (1935), Paris (1937), and New York (1939). Hjorth also prepared and curated annual exhibitions for NK.

Hjorth passed away in 1959 in Stockholm.

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