Lunar Sofa by J. Irvine for B&B Italia, 1990

Though he passed away prematurely, in February 2013, at the hands of pneumonia, British product and furniture designer James Irvine endures as a visionary of millennial-era functionalism. Often collaborating with the likes of Jasper Morrison, Marc Newson, Konstantin Grcic, , among others, Irvine blended ergonomics and practicality with wit and style, designing everything from bottle caps to city buses.

Born 1958 in London, Irvine trained first at the Kingston School of Art, and then, at London’s Royal College of Arts—the powerhouse institution that has incubated everyone from Max Lamb, Simon Hasan, and  to Committee’s Harry Richardson and Studio Glithero’s Sarah van Gameren. Upon graduating in 1984, the resolutely post-punk Irvine moved permanently to Milan to join in the blossoming postmodern movement. He took a design consultant position at Olivetti—working alongside Memphis pioneers Ettore Sottsass, Michele De Lucchi, and George Sowden’s—before moving on to Toshiba’s design studio, where he proposed highly ergonomic computer designs. By 1989, he was seen as a rising design star in Milan and was invited to design a Pepper Mill for Alessi and taps for Fantini, which bear the flamboyant geometries of the late Memphis years. 

Although Olivetti folded under competitive pressures from Epson, Canon, and the like, Irvine remained in partnership with Sottsass well into the millennium; their salient post-Olivetti projects included the establishment of Vitra’s Citizens Office (1991) initiative, which essentially outlined principles for the maximally ergonomic workplace, as well as the multi-hued interior for Milan’s Malpensa airport in 2000. 

Irvine also maintained his own studio, which produced the Piceno Collection for Cappellini in 1991; this vividly-painted beechwood furniture series—including a chair, a coatrack, and tables—appropriated traditional silhouettes alongside eccentric curves, evincing the liminal stage Irvine found himself after the 1980s: somewhere between postmodern ostentation and the elegant resolve of his later work.

At the turn of the millennium, Irvine remained prolific. Some of his most enduring designs from this era are the Lunar Sofa for B&B Italia / C&B Italia (1998), the X5 Rug for Asplund (1999), and the Centomila Chairs for Magis (1999). In 1999, he procured a substantial commission from the city of Hannover to head up a full re-design of their bus fleet, to be manufactured by Mercedes-Benz. From then on, he continued to design a variety of goods at all scales, conceptual and practical, for luxury and economy brands, for example his Float Circle Light for Artemide (2000), rattan Gunghult Rocker for Ikea (2002), his Lounge Chair for WMF (2006)—before delving, in 2007, into an art directorship at Thonet, for whom he designed his innovative Loop Chair in 2004. During this tenure, Irvine introduced Thonet to Muji—for whom Irvine had also designed—and the two brands collaborated in 2009 on streamlined updates to Thonet’s traditional forms of tubular steel and bentwood furniture.

The international design company B&B Italia began in 1973 when Piero Ambrogio Busnelli took over C&B Italia, the company he had co-founded with Cesare Cassina. The renamed B&B was thus more of an evolution than a completely new enterprise. Busnelli—who was born in 1926 in Meda, in the northern province of Lombardy—was a true visionary in post-war Italy. As a young designer he surrounded himself with other like-minded artists, and later took chances on up-and-coming talents, like Mario Bellini and Gaetano Pesce, who later followed Busnelli to B&B. From the beginning, the company wanted to set itself apart as a strong, modern Italian brand that was based on an industrial model, utilizing both high-tech production methods and high-tech materials—including plastics and polyurethane foams. It quickly established itself as one of the leading manufacturers of modern Italian design in the second half of the 20th century.  

Busnelli located the headquarters in Novedrate in Como, near Milan. It was designed in 1972 by the architects Renzo Piano and Richard Rogers, who had just finished jointly designing the Centre Pompidou in Paris, and the influence is clear. The building’s brave industrial “inside out” aesthetic showcased Busnelli’s willingness to take risks, as well as predict future design stars.

In the mid-1970s, B&B Italia launched Mario Bellini’s Le Bambole sofa (1972). The structureless, yet plump couch pushed the boundaries of design and secured a place for B&B Italia at the forefront of the international design scene, and at the receiving end of many prestigious design prizes. The advertising campaign for Le Bambole provoked as many reactions as the design itself, featuring provocative images taken by photographer Oliviero Toscani of the bare-chested model Donna Jordan on top of Bellini's sofa, and was exhibited at Milan’s Salone del Mobile.

Since then, B&B Italia has collaborated with some of the world's most renowned designers and architects, including , Mario Bellini, Jeffrey Bernett, David Chipperfield, Antonio Citterio, Naoto Fukasawa, Zaha Hadid, Chris Howker, Vico Magistretti, Jean-Marie Massaud, Gaetano Pesce, Paolo Piva, Richard Sapper, Afra and Tobia Scarpa, Richard Schultz, Ettore Sottsass, Studio Kairos, Patricia Urquiola, Jakob Wahner, and Marcel Wanders, among others.

B&B Italia has won four Compasso d’Oro Awards. The first was for Studio Kairos’ Sisamo Wardrobe in 1974, and later Bellini’s Le Bambole in 1979, and Citterio’s Sity Sofa in 1987. In 1989 B&B Italia became the first design manufacturer to be awarded a Compasso d’Oro. The award was given to B&B Italia for "the constant work of integration carried out in order to combine the values of scientific and technological research with those necessary to the functionality and expressiveness of its products." Since the company’s inception in 1966, designers have created over 1000 designs and prototypes, many of which are still in production.

In 2011, Busnelli’s sons, Giorgio and Emanuele, bought the company back from the private equity firm Opera, who obtained a majority stake in 2002. The pair run the company since the death of their father in 2014. In 2016, B&B Italia celebrated its 50th anniversary by showcasing its latest range of limited-edition pieces at the Salone del Mobile furniture fair in Milan.

Images courtesy of B&B Italia