Mid-Century Modern Biscuit Shaped Wall Mirror in the style of Gio Ponti, Italy, 1950s

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About This Piece

Vintage Design

The Biscuit Shaped Italian Wall Mirror is a stunning example of the iconic design aesthetic that emerged during the mid-20th century. This mirror is a beautiful blend of Italian craftsmanship and modernist sensibility, paying homage to the renowned architect and designer Gio Ponti. The glass mirror's frame is its most distinguishing feature, meticulously crafted from high-quality glass. The brass material which holds the glass provides a lustrous and warm golden hue, evoking a sense of luxury and sophistication that was characteristic of mid-century Italian design. The glass frame's edges are gracefully curved, resembling the shape of a biscuit or cookie, hence the "Biscuit Shaped" name. The glass frame encapsulates a large expanse of clear mirrored glass, serving as the mirror's reflective surface. The mirror is elegantly shaped to complement the overall design. The combination of brass and glass creates a harmonious contrast, blending the opulence of the metal with the sleek transparency of the glass. Gio Ponti was a pioneer of modern Italian design and known for his attention to detail and innovative use of materials. His influence is clearly evident in this mirror's design, which would have been a sought-after piece during the mid-20th century and continues to be highly regarded among collectors and admirers of mid-century modern design today. Overall, the Wall Mirror is an exquisite and timeless piece of art that encapsulates the spirit of the era and represents the epitome of elegance and style in interior design. The mirror it's in very good conditions and believe me it’s the most elegant I never see.

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Creator	Gio Ponti
Design Period	1950 to 1959
Production Period	1950 to 1959
Country of Manufacture	Italy
Identifying Marks	The style of the design is reminiscent of the designer and/or manufacturer
Style	Mid-Century
Detailed Condition	Very Good — This vintage/antique item has no defects, but it may show slight traces of use.
Restoration and Damage Details	Patina consistent with age and use, ottime condizioni
Product Code	NMK-1693256
Materials	Brass, Glass, Mirrored Glass, Fir
Color	Brown, Clear, gold
Width	48 cm 18.9 inch
Depth	2 cm 0.8 inch
Height	80 cm 31.5 inch
Duties Notice	Import duty is not included in the prices you see online. You may have to pay import duties upon receipt of your order.

Shipping & Delivery

Ships from	Italy
Duties Notice	Import duty is not included in the prices you see online. You may have to pay import duties upon receipt of your order.
Returns	Returns accepted within two days of delivery, except for Made-to-order items

Delivery Details

Delivery will be completed by a parcel service such as UPS, DHL, or FedEx.
You will receive a tracking number to monitor the status of your shipment.
Delivery will take place between 9am and 5pm, Monday to Friday.
A wooden crate may be used for intercontinental shipments for maximum protection.
Item will be left in its packaging after delivery.
A signature will be required upon delivery.

*Important Note

Please examine the packaging upon delivery. In the event that there are visible signs of damaged packaging, please indicate the problem on the Delivery Note, take pictures, and—if the item inside shows damages—contact us within 48 hours of delivery. A signed delivery receipt without notations regarding damaged packaging represents your acceptance of the completed order in perfect condition.

Sustainability

Carbon Neutral	For every purchase made, Pamono offsets 100% of estimated carbon emissions from global shipping.
Vintage	Choosing vintage and antique furniture reduces your carbon footprint by cutting down on waste and reduces demand for new materials and extends the life of the products we use.

Product Safety Information

EU Responsible Person	Published before Dec 13th 2024

About the Creator

Gio Ponti

Born in Milan in 1891, Giovanni (Gio) Ponti studied architecture at Politecnico. After serving in World War I, he worked as Art Director for respected ceramics company Richard-Ginori. Between 1923 and 1927, he partnered with architects Mino Fiocchi and Emilio Lancia. In 1928, Ponti launched both his own architectural studio and the famed magazine Domus. Through the pages of Domus—and, later, those of Lo Stile, which he founded and edited between 1941 and 1947—Ponti influenced international design taste for over 50 years.

Around 1933, he teamed up with engineers Antonio Fornaroli and Eugenio Soncini to form Studio Ponti-Fornaroli-Soncini, which embraced a decidedly Modernist idiom and lasted until 1945. In 1950, he won the design commission for what became one of the 20^th century’s most iconic buildings: Milan’s 32-story Pirelli Tower (built 1956). In 1952, he partnered with architect Alberto Rosselli (Studio Ponti-Fornaroli-Rosselli); after Rosselli’s death in 1976, Ponti continued to collaborate with longtime partner Fornaroli.

Throughout his career, Ponti juggled numerous roles, including architect, industrial designer, craftsman, professor, painter, editor, and journalist. In addition to his prolific architectural work, Ponti’s design credits are also extensive, ranging from coffee machines (the world’s first, the Pavoni, in 1949) to lighting and furniture for the likes of Cassina, Artemide, and Venini.