Portrait of Catherine of Braganza, Queen Consort of England, 1660s, Oil Painting on Canvas, Framed

Catherine of Braganza (1638–1705), Circle of Sir Peter Lely (1618–1680)

Queen consort of England, Scotland, and Ireland, married to King Charles II from 1662 until his death in 1685.

This stunning 17th-century oil painting of Catherine of Braganza dates to approximately 1663–1668, reflecting her early reign. This beautifully executed work captures her elegance and regal presence. The portrait presents Catherine in a three-quarter-length pose, commanding attention with her graceful demeanour. She is adorned in a luxurious ermine fur-lined red velvet cloak, which adds a sense of opulence and warmth to the composition. In her hand, she holds a string of pearls, which are also sewn into her clothing and adorn her hair, symbolising her status and wealth. The rich, vibrant colours enhance the painting’s visual impact.

The large dimensions and ornately designed frame suggest it was an important commission intended for significant display, possibly in a state room or gallery.

Sir Peter Lely, a Dutch-born artist who dominated English court portraiture during the Restoration, is known for his idealised "Lely face," soft lighting, and luxurious details, all of which are evident in this portrait. The style aligns with his mid-1660s works. A signature is visible in the lower left of the painting, though it is difficult to decipher. The quality of the work suggests it was painted under the close supervision of Sir Peter Lely.

The lighting, luxurious details, and overall composition of this portrait align with Peter Lely’s works from the mid-1660s. This exceptional painting holds historical significance. Its size, exquisite details, and portrayal of Catherine make it highly desirable.

Catherine of Braganza, Queen consort of England, Scotland, and Ireland, was born on 25 November 1638 in Vila Viçosa, Portugal. She married King Charles II of England in 1662 as part of a political alliance. As queen consort, Catherine faced challenges and criticism due to her Catholic faith in a predominantly Protestant country. However, she played a significant role in the restoration of the monarchy in England and influenced the court culture of the time. Catherine is also known for her love of tea, which she introduced to the English court. She had an affinity for Portuguese customs and traditions, and her promotion of tea consumption eventually made it a national pastime.

This portrait is a genuine 17th-century work from the circle of Sir Peter Lely, offering a unique depiction of Catherine of Braganza. Its historical context and artistic quality make it a significant piece for collectors and historians interested in Restoration-era England. The idealised facial features, delicate hands, glossy pearls, and luxurious clothing are well-executed, meeting Sir Peter Lely’s high standards for royal portraiture. The composition suggests it was a significant commission.

The dimensions of the painting without the frame are 120.5 x 91.4 cm (47½ x 36 in); including the frame, 146.5 x 118 cm.

The painting is in good antique condition, ready for its new home. It shows signs of age and use, with minimal age-related wear to the frame, as expected.