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ALTA TENSIONE Coat Stand by Enzo Mari for Kartell

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  • ALTA TENSIONE Coat Stand by Enzo Mari for Kartell 1
  • ALTA TENSIONE Coat Stand by Enzo Mari for Kartell 2
  • ALTA TENSIONE Coat Stand by Enzo Mari for Kartell 3
  • ALTA TENSIONE Coat Stand by Enzo Mari for Kartell 4
  • ALTA TENSIONE Coat Stand by Enzo Mari for Kartell 5
  • ALTA TENSIONE Coat Stand by Enzo Mari for Kartell 6
  • ALTA TENSIONE Coat Stand by Enzo Mari for Kartell 7
  • ALTA TENSIONE Coat Stand by Enzo Mari for Kartell 8

About This Piece

Vintage Design

The Alta tensione coat stand was designed by Enzo Mari for Kartell in 1996, the project was nominated for the XVIII Compasso d'oro ADI in 1998.

Click here for full description Close description

* Please note that items made of Rosewood are subject to a special export process that may extend the delivery time an additional 2 to 4 weeks
Creator Enzo Mari
Manufacturer Kartell
Design Period 1990 to 1999
Year 1996
Production Period 1990 to 1999
Country of Manufacture Italy
Identifying Marks This piece has an attribution mark
Style Vintage, Italian Modern, Design Classics
Detailed Condition Good — This vintage/antique item may have some wear such as scratches and other signs of ageing.
Restoration and Damage Details
Patina consistent with age and use, Light wear consistent with age and use, Signs of use at the base in the lower part of the stem
Product Code WG-928451
Materials Aluminum, Plastic, Steel
Color Clear, silver
Height 170 cm 66.9 inch
Diameter 15.7 inch
Duties Notice Import duty is not included in the prices you see online. You may have to pay import duties upon receipt of your order.

Shipping & Delivery

Ships from Italy
Duties Notice Import duty is not included in the prices you see online. You may have to pay import duties upon receipt of your order.
Returns Returns accepted within two days of delivery, except for Made-to-order items

Sustainability

Carbon Neutral For every purchase made, Pamono offsets 100% of estimated carbon emissions from global shipping.
Vintage Choosing vintage and antique furniture reduces your carbon footprint by cutting down on waste and reduces demand for new materials and extends the life of the products we use.

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  • A skilled driver will unload the item(s) from the delivery truck and bring it to your building’s doorstep. You will be responsible for further transport beyond that point. We recommend asking a family member or friend for an extra hand; alternatively, you may upgrade to In-Home Delivery (see below).
  • The delivery partner will email and/or call you at least one day in advance to arrange a delivery time.
  • A wooden crate may be used for intercontinental shipments for maximum protection.
  • Item will be left in its packaging after delivery.
  • A signature will be required upon delivery.
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  • A skilled driver or a team of two will bring your item(s) inside your home and place it in the immediate entryway. For unusually large or heavy items, we recommend asking a family member or friend for an extra hand, as we cannot send more than 2 drivers.
  • The delivery partner will email and/or call you one day in advance to arrange a delivery time.
  • A wooden crate may be used for intercontinental shipments for maximum protection.
  • Item will be left in its packaging after delivery.
  • A signature will be required upon delivery.

*Important Note

Please examine every order upon delivery. In the event that there are visible signs of damage or missing or incorrect pieces, please indicate the problem on the Delivery Note and contact us within 48 hours of delivery. A signed delivery receipt without notations of missing, damaged, or incorrect item(s) represents your acceptance of the complete order in perfect condition.

About the Creator

Enzo Mari

Artist-designer Enzo Mari was born in Novara, Italy in 1932. He studied art and literature at the Accademia di Brera in Milan, but, self-taught as a designer, began working in industrial design during the 1950s. He opened his own design studio in Milan in 1952, from where he has continued to work for over sixty years. Mari has long been interested in the theoretical role of the designer and objects in everyday life, as well as the broader psychology of visual perception; to that end, he has experimented in a variety of visual arts, even founding the Nuova Tendenza movement in Milan in 1963. A respected theorist and teacher, he taught at the Società Umanitaria in Milan between 1963 and 1966, since which time he has continued to teach both in Italy and abroad.

Mari’s work is driven by function and respect for materials. It ranges from furniture, ceramics , and , to books, games, and beyond. Notable works include, among others, 16 Animals (1957), a puzzle featuring carved wooden animal shapes that combine to form a rectangle (this was his first design for the Italian manufacturer Danese); Vase Model 3087 (1969), a double conical vase that functions whether standing on its top or bottom; the Sumatra filing system (1976); and Delfina (1974), a chair featuring a seat and back made of zippered sailcloth. Clients include Le Creuset, Artemide, Magis, Alessi, Zanotta, Driade, Muji, and Japanese furniture atelier Hida Sangyo. His work is included in the permanent collections of numerous respected institutions, with the Museum of Modern Art alone counting nearly thirty Mari designs.

Mari lives and works in Italy.

About the Maker

Kartell

Specialized in luxury plastic furniture and decorative objects, Italian design brand Kartell was founded by Giulio Castelli (1920-2006) and his wife Anna Ferrieri (1918-2006) in Milan in 1949. The son of a plastics researcher, Castelli was attracted to experimental, new materials from an early age and went on to study chemical engineering under Nobel Prize winning chemist Giulio Natta. Ferrieri, meanwhile, studied architecture at the Politecnico di Milano under influential, neo-rationalist architect-designer Franco Albini.

In the early years of the postwar era, Castelli and Ferrieri were eager to contribute to their country’s reconstruction through high quality and innovative industrial design. At first the company concentrated on automotive accessories, like the K101 Ski Rack (1950). In 1953, however, Kartell launched its Housewares Division and began to produce the eye-catching, molded plastic interiors objects for which the company is internationally known today.

In the 1950s, polypropylene plastic was still widely thought to be an unusual material for domestic settings. Kartell’s earliest designs tended to be small tools for the kitchen. Highlights from this phase of Kartell’s history include the KS 1146 Bucket (1955), KS 1475 Carpet Beater (1957), KS 1068 Standing Dustpan (1958), KS 1481 Lemon Squeezer (1959), and Model KS 1171/2 Dish Drainer (1960), all by designer Gino Colombini and all in the permanent collection of New York’s Museum of Modern Art. Colombini’s bucket was awarded a Compasso d’Oro prize in 1955. 

In the 1960s, Castelli and Ferrieri became determined to change perceptions of plastic by using it in the creation of stylish yet functional furniture and interior décor. The Habitat Division of Kartell launched in 1963 and led to the K 4999/K 1340 Children’s Chair, designed by Marco Zanuso and Richard Sapper in 1964—the world’s first plastic chair and a Compasso d’Oro winner in ’64. The following year, Joe Colombo worked with Kartell to produce the bent plywood 4801 Chair (1965), Kartell’s only wholly wood product.

In 1967, Kartell inaugurated its new headquarters in Noviglio, designed by Ferrieri and, since 1999, home to the Museo Kartell. That same year, Colombo created Kartell’s 4867 Universal Chair (1967), the first chair made in a single piece using injection-molded plastic. Now considered a landmark of design history, the Universal Chair is found in museum collections the world over. Other iconic Kartell designs from the 1960s include Colombo’s KD27 Table Lamp (1967), Gae Aulenti’s Re Sole Lamp (1967), and Ferrieri’s 4966 Componibili Storage Module (1969). 

Kartell’s place in design history hit a new level when the company’s designs were included in the legendary Italy: The New Domestic Landscape exhibition at MoMA New York in 1972. Kartell’s molded plastic pieces fit perfectly alongside the space-age aesthetics of designers and studios like Archizoom, the Castiglioni brothers, Vico Magistretti, Gaetano Pesce, Ettore Sottsass, and Superstudio, who were all also exhibited in this vanguard show. 

In 1988, the Castelli couple decided to sell their company to their son-in-law, former managing director of Versace, Claudio Luti. After ten years in the fashion industry, the Italian entrepreneur took over Kartell and expanded the roster of contributing designers to include the likes of Ron Arad, Antonio Citterio, Vico Magistretti, Philippe Starck, and Marteen van Severen. As a result, the 1990s and early 2000s proved highly successful for Kartell. Standouts from this turn-of-the-millennium era include Arad’s Bookworm Wall Shelf (1994), Citterio’s Mobil Drawers System (1994), Magistretti’s Maui Chair (1996), Starck’s La Marie Chair (1998), van Severen’s LCP Chair (1999), Starck’s Bubble Club Sofa (2000), and Starck’s Louis Ghost Chair (2002).

Today, Kartell continues to serve as a benchmark in contemporary design culture. In recent years, Kartell has produced the designs of Front, Nendo, Patricia Urquiola, and Tokujin Yoshioka, to name a few. The company’s designs can be found in public and private museums around the world.

For more information, see Kartell: The Culture of Plastics, published by Taschen in 2013.

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